The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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... satisfy an external need . That , also , is a fact of its history . Architecture is sub- servient to the general uses of mankind . And , immediately , politics and society , religion and liturgy , the large movements of races and their ...
... satisfy an external need . That , also , is a fact of its history . Architecture is sub- servient to the general uses of mankind . And , immediately , politics and society , religion and liturgy , the large movements of races and their ...
Seite 76
... satisfy the mystic's adoration . The argument assumed a different plane . To be ' natural ' was no longer a point merely of poetic charm - it was a point of sanctity . With Ruskin , for example , the argument from Nature is always final ...
... satisfy the mystic's adoration . The argument assumed a different plane . To be ' natural ' was no longer a point merely of poetic charm - it was a point of sanctity . With Ruskin , for example , the argument from Nature is always final ...
Seite 229
... satisfy it should appear beautiful , those which offend it ugly . We cannot , however , lay down fixed proportions of space as architecturally right . Space value in architecture is affected first and foremost , no doubt , by actual ...
... satisfy it should appear beautiful , those which offend it ugly . We cannot , however , lay down fixed proportions of space as architecturally right . Space value in architecture is affected first and foremost , no doubt , by actual ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
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academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius