The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 12
... reason to conclude , may be studied as a result of practical needs shaped by structural principle ; it must be studied as an æsthetic impulsion , controlled by æsthetic laws , and only by an æsthetic criticism to be finally justified or ...
... reason to conclude , may be studied as a result of practical needs shaped by structural principle ; it must be studied as an æsthetic impulsion , controlled by æsthetic laws , and only by an æsthetic criticism to be finally justified or ...
Seite 41
... reason the romantic return to mediævalism failed , where the classic revival succeeded . The latter was concerned to restore the space , proportion and coherence of abstract design ; and these the individual architect like Brunelleschi ...
... reason the romantic return to mediævalism failed , where the classic revival succeeded . The latter was concerned to restore the space , proportion and coherence of abstract design ; and these the individual architect like Brunelleschi ...
Seite 78
... reason . To ' follow reason ' and ' to live according to Nature ' for Marcus Aurelius were convertible terms . The human intellect , with its inherent , its ' natural ' leanings towards order , balance , and proportion , was a part of ...
... reason . To ' follow reason ' and ' to live according to Nature ' for Marcus Aurelius were convertible terms . The human intellect , with its inherent , its ' natural ' leanings towards order , balance , and proportion , was a part of ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius