The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 163
... realisation of a few . In art , as in life , the chief problem is a right choice in sacrifices . Civilisation is the ... realised in art endures . Our present experiment in democratic ethics may be the best which the facts of life afford ...
... realisation of a few . In art , as in life , the chief problem is a right choice in sacrifices . Civilisation is the ... realised in art endures . Our present experiment in democratic ethics may be the best which the facts of life afford ...
Seite 202
... realised as a positive force that was natural , necessary , and alive . The Renaissance architects deviated from the canon whenever their instinctive taste prompted them to do so ; they returned to the canon whenever they felt that ...
... realised as a positive force that was natural , necessary , and alive . The Renaissance architects deviated from the canon whenever their instinctive taste prompted them to do so ; they returned to the canon whenever they felt that ...
Seite 208
... realised that ' proportion ' is a form of beauty it was realised that ' proportion ' is a mode of mathe- matics . But it was not realised that the word has a different bearing in the two cases . Criticism is not called upon to invent an ...
... realised that ' proportion ' is a form of beauty it was realised that ' proportion ' is a mode of mathe- matics . But it was not realised that the word has a different bearing in the two cases . Criticism is not called upon to invent an ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius