The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 81
... qualities which constitute the pictur- esque qualities which have always been recognised F as possessing a value in the visual arts . And THE ROMANTIC FALLACY 81.
... qualities which constitute the pictur- esque qualities which have always been recognised F as possessing a value in the visual arts . And THE ROMANTIC FALLACY 81.
Seite 155
... qualities which are appropriate , above all others , in a monumental art ; qualities , therefore , which we have a right to expect in architecture . Here , then , is some justification for the theory that the degree of pretence is ...
... qualities which are appropriate , above all others , in a monumental art ; qualities , therefore , which we have a right to expect in architecture . Here , then , is some justification for the theory that the degree of pretence is ...
Seite 162
... qualities in architecture which require a gift for their understanding and a trained gift for their understanding aright : qualities in which men were not intended without excessive difficulty to know good things from bad , ' and by no ...
... qualities in architecture which require a gift for their understanding and a trained gift for their understanding aright : qualities in which men were not intended without excessive difficulty to know good things from bad , ' and by no ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius