The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 107
... pleasure in the colour and the carving will be pleasure in painting or sculpture ; our specifically architec- tural pleasure will be in the functions of the structural elements themselves . It is in this vivid constructive significance ...
... pleasure in the colour and the carving will be pleasure in painting or sculpture ; our specifically architec- tural pleasure will be in the functions of the structural elements themselves . It is in this vivid constructive significance ...
Seite 218
... pleasure , and what is merely implied , seems to underlie the objection that our theory lays ⚫ too great a stress on physical states . Our pleasure in architecture , it is true , is primarily one of the mind and the spirit . Yet the ...
... pleasure , and what is merely implied , seems to underlie the objection that our theory lays ⚫ too great a stress on physical states . Our pleasure in architecture , it is true , is primarily one of the mind and the spirit . Yet the ...
Seite 227
... pleasure we obtain from architecture - pleasure which seems unaccountable , or for which we do not trouble to account - springs in reality from space . Even from a utilitarian point of view , space is logically our end . To enclose a ...
... pleasure we obtain from architecture - pleasure which seems unaccountable , or for which we do not trouble to account - springs in reality from space . Even from a utilitarian point of view , space is logically our end . To enclose a ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius