The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 218
... physical states and states of the mind and the emotions needs no emphasis . Our theory does not say that physical states enter largely into the spectator's consciousness ; it says that they , or the suggestion of them , are a necessary ...
... physical states and states of the mind and the emotions needs no emphasis . Our theory does not say that physical states enter largely into the spectator's consciousness ; it says that they , or the suggestion of them , are a necessary ...
Seite 219
... physical experience . The mind is not free to attend to them . It is pre- cisely because the conscious physical element in archi- tectural pleasure is so slight , our imitative self - ad- justment to architectural form so subtle , that ...
... physical experience . The mind is not free to attend to them . It is pre- cisely because the conscious physical element in archi- tectural pleasure is so slight , our imitative self - ad- justment to architectural form so subtle , that ...
Seite 255
... physical sensation But implies a process of mental self - identification with the apparent physical state of the object , and a sym- pathetic activity of the physical memory Answer to certain possible objections to this view : ( 1 ) ...
... physical sensation But implies a process of mental self - identification with the apparent physical state of the object , and a sym- pathetic activity of the physical memory Answer to certain possible objections to this view : ( 1 ) ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius