The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 102
... necessary results , with complete security and the utmost economy of means . But what are the ' necessary ' results ? In the case of the Greek and Gothic styles , they are to roof a church or a temple of a certain grandeur and ...
... necessary results , with complete security and the utmost economy of means . But what are the ' necessary ' results ? In the case of the Greek and Gothic styles , they are to roof a church or a temple of a certain grandeur and ...
Seite 104
... necessary to good architec- ture , and beauty cannot be the same as good con- struction . But good construction is necessary as well as beauty . We must admit , it will say , that in achieving this necessary combination , some conces ...
... necessary to good architec- ture , and beauty cannot be the same as good con- struction . But good construction is necessary as well as beauty . We must admit , it will say , that in achieving this necessary combination , some conces ...
Seite 252
... necessary ? Difficulties of this view 104 Architecture defined as the vivid expression of structural function 106 But the vividness must be a matter of appearance and the function a matter of fact , while the converse is not necessary ...
... necessary ? Difficulties of this view 104 Architecture defined as the vivid expression of structural function 106 But the vividness must be a matter of appearance and the function a matter of fact , while the converse is not necessary ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius