The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 92
... modern taste for picturesqueness — as the old painters suffice to prove - brought with it nothing that was new . Nature , and man's work , is full of a picturesque beauty that has never passed unnoticed . But the aesthetic content of ...
... modern taste for picturesqueness — as the old painters suffice to prove - brought with it nothing that was new . Nature , and man's work , is full of a picturesque beauty that has never passed unnoticed . But the aesthetic content of ...
Seite 187
... modern ' revivals , ' lacks the merit that 1 Fergusson , History of Modern Architecture . . belongs to the natural products of a time and THE ACADEMIC TRADITION 187.
... modern ' revivals , ' lacks the merit that 1 Fergusson , History of Modern Architecture . . belongs to the natural products of a time and THE ACADEMIC TRADITION 187.
Seite 250
... modern architectural criticism Results for taste . It becomes : 41 42 • 44 45 46 47 48 50 51 ( 1 ) subjective and capricious • ( 2 ) stylistic ( 3 ) antiquarian ( 4 ) concentrated upon detail Renaissance architecture 52 54 ཐྭཧྨ 56 57 ...
... modern architectural criticism Results for taste . It becomes : 41 42 • 44 45 46 47 48 50 51 ( 1 ) subjective and capricious • ( 2 ) stylistic ( 3 ) antiquarian ( 4 ) concentrated upon detail Renaissance architecture 52 54 ཐྭཧྨ 56 57 ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius