The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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... material properties and material laws . Without these , architecture is impossible , its his- tory unintelligible . And if , finding these everywhere paramount , we seek , in terms of material properties and material laws , not merely ...
... material properties and material laws . Without these , architecture is impossible , its his- tory unintelligible . And if , finding these everywhere paramount , we seek , in terms of material properties and material laws , not merely ...
Seite 60
... material . Architecture , conversely , is an art which affects us chiefly by direct appeal . Its emphasis and its value lie chiefly in material and that abstract disposition of material which we call form . Neither in the one case nor ...
... material . Architecture , conversely , is an art which affects us chiefly by direct appeal . Its emphasis and its value lie chiefly in material and that abstract disposition of material which we call form . Neither in the one case nor ...
Seite 73
... material through a medium that was simple , familiar , and fixed . But in architecture this distinction could not be main- tained . When the romantic material entered , the conventional form of necessity disappeared . Quaint ' design ...
... material through a medium that was simple , familiar , and fixed . But in architecture this distinction could not be main- tained . When the romantic material entered , the conventional form of necessity disappeared . Quaint ' design ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius