The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 8
... logical , and as in- sufficient as the first . The true task of criticism is to understand such æsthetic pleasures as ... logic ; but it requires , not less , an independent sense of beauty . Nature , unfortunately , would seem to unite ...
... logical , and as in- sufficient as the first . The true task of criticism is to understand such æsthetic pleasures as ... logic ; but it requires , not less , an independent sense of beauty . Nature , unfortunately , would seem to unite ...
Seite 86
... logical . For baroque architecture is always1 logical : it is logical as an æsthetic construction , even where it most neglects the logic of material construction . It in- sisted on coherent purpose , and its greatest extrava- 1 I am ...
... logical . For baroque architecture is always1 logical : it is logical as an æsthetic construction , even where it most neglects the logic of material construction . It in- sisted on coherent purpose , and its greatest extrava- 1 I am ...
Seite 243
... logic of an inhuman science has displaced the logic of the human form . It is to discover resplendent beauty of detail in glass and bronze and ivory and gold ; it is to lose architecture in sculpture . Here is structure , certainly ...
... logic of an inhuman science has displaced the logic of the human form . It is to discover resplendent beauty of detail in glass and bronze and ivory and gold ; it is to lose architecture in sculpture . Here is structure , certainly ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
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academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius