The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 42
... interest with the forms and principles of an existing art . Had the Romantic Movement complied , even in some degree , with the essential conditions , a genuine architectural style might have been created , formed , as it were , out of ...
... interest with the forms and principles of an existing art . Had the Romantic Movement complied , even in some degree , with the essential conditions , a genuine architectural style might have been created , formed , as it were , out of ...
Seite 66
... interest of distant civilisa- tion to supplant the aesthetic interest of form . But the romantic impulse is not attracted to history alone . It is inspired by the distant and the past ; but it is inspired , also , by Nature . For ...
... interest of distant civilisa- tion to supplant the aesthetic interest of form . But the romantic impulse is not attracted to history alone . It is inspired by the distant and the past ; but it is inspired , also , by Nature . For ...
Seite 170
... interest ; and interest takes by degrees the place of worth . Thus the ennobled cult becomes for us the bloody sacrifice , civilised usage a savage rite , and the Doric temple justifies its claim on our attention by reminding us that it ...
... interest ; and interest takes by degrees the place of worth . Thus the ennobled cult becomes for us the bloody sacrifice , civilised usage a savage rite , and the Doric temple justifies its claim on our attention by reminding us that it ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius