The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
Im Buch
Ergebnisse 1-3 von 31
Seite 21
... influence of patronage on art is easily mis - stated . Art may be brought to the service of the state and its rulers ; but the most that rulers can do towards determining the essence of an art is to impose upon it a distinctively ...
... influence of patronage on art is easily mis - stated . Art may be brought to the service of the state and its rulers ; but the most that rulers can do towards determining the essence of an art is to impose upon it a distinctively ...
Seite 195
... influence reached England by 1563 in the brief essay of John Shute . Through the pages of Serlio , Vitruvius sub- jugated France , till then abandoned to the trifling classicism of François 1 .; through those of Pal- ladio he became ...
... influence reached England by 1563 in the brief essay of John Shute . Through the pages of Serlio , Vitruvius sub- jugated France , till then abandoned to the trifling classicism of François 1 .; through those of Pal- ladio he became ...
Seite 255
A Study in the History of Taste Geoffrey Scott. Reinforcing influences ; scholarship ; printing ; the dis- covery of Vitruvius . Reasons for the prestige of Vitruvius Nature of his treatise Misconception as to its influence upon Italian ...
A Study in the History of Taste Geoffrey Scott. Reinforcing influences ; scholarship ; printing ; the dis- covery of Vitruvius . Reasons for the prestige of Vitruvius Nature of his treatise Misconception as to its influence upon Italian ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
9 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius