The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 46
... imitation of mediævalism to furnish his whole design , the concession , startling and even absurd as it seemed to his contemporaries , 1 Letters of Thomas Gray , vol . I. No. cxiv . But was made in a spirit of amused pedantry and ...
... imitation of mediævalism to furnish his whole design , the concession , startling and even absurd as it seemed to his contemporaries , 1 Letters of Thomas Gray , vol . I. No. cxiv . But was made in a spirit of amused pedantry and ...
Seite 154
... imitation , even when , of necessity , they forewent the first . Nor was the imitation , like many that are modern , sordid and commercial — a meticulous forgery . It was a brave impressionism , fit to satisfy the eye . The mind was ...
... imitation , even when , of necessity , they forewent the first . Nor was the imitation , like many that are modern , sordid and commercial — a meticulous forgery . It was a brave impressionism , fit to satisfy the eye . The mind was ...
Seite 217
... imitation ' are a spontaneous method of envisaging the world . It is the way of the savage , who believes in ' animism , ' and conceives every object to be invested with powers like his own.1 It is the way of the primitive peoples , who ...
... imitation ' are a spontaneous method of envisaging the world . It is the way of the savage , who believes in ' animism , ' and conceives every object to be invested with powers like his own.1 It is the way of the primitive peoples , who ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius