The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 63
... ideas , let us at least be sure that they do not obscure from us the value of the style . One fact should be stated in defence . These literary ' ideas ought not to be the primary value of a material art ; they are , nevertheless , its ...
... ideas , let us at least be sure that they do not obscure from us the value of the style . One fact should be stated in defence . These literary ' ideas ought not to be the primary value of a material art ; they are , nevertheless , its ...
Seite 123
... ideas require argument or proof , the axioms are reiterated architecture is still the ' distinctively political ' art , its virtue , to ' reflect a national aspiration , ' and all the faults and merits of a class or nation are seen ...
... ideas require argument or proof , the axioms are reiterated architecture is still the ' distinctively political ' art , its virtue , to ' reflect a national aspiration , ' and all the faults and merits of a class or nation are seen ...
Seite 205
... ideas , with ideas of conduct and of biology . But , of all forms of criticism , the academic theory which confines architectural beauty to the code of the Five Orders or to any other code is the most complete example of this excessive ...
... ideas , with ideas of conduct and of biology . But , of all forms of criticism , the academic theory which confines architectural beauty to the code of the Five Orders or to any other code is the most complete example of this excessive ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius