The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 10
... follows is not linked to what went before by common reference to a great tradition , by a general participation in a single complex of ideas . And incompatible as these several ... follow this tradition . The IO THE ARCHITECTURE OF HUMANISM.
... follows is not linked to what went before by common reference to a great tradition , by a general participation in a single complex of ideas . And incompatible as these several ... follow this tradition . The IO THE ARCHITECTURE OF HUMANISM.
Seite 11
A Study in the History of Taste Geoffrey Scott. native , that we shall follow this tradition . The archi- tecture of France in the seventeenth and eighteenth centuries and , in a lesser degree , that of the Georgian period in England ...
A Study in the History of Taste Geoffrey Scott. native , that we shall follow this tradition . The archi- tecture of France in the seventeenth and eighteenth centuries and , in a lesser degree , that of the Georgian period in England ...
Seite 227
... down the perspective , and we , in imagination , follow it . The space has suggested a movement . Once this suggestion has been set up , everything which accords with it will seem to assist us ; everything which HUMANIST VALUES 227.
... down the perspective , and we , in imagination , follow it . The space has suggested a movement . Once this suggestion has been set up , everything which accords with it will seem to assist us ; everything which HUMANIST VALUES 227.
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius