The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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... FALLACY III . THE ROMANTIC FALLACY ( continued ) : NATURALISM AND THE PICTURESQUE PAGE I 15 37 66 66 IV . THE MECHANICAL FALLACY • 94 V. THE ETHICAL FALLACY 121 · VI . THE BIOLOGICAL FALLACY 165 VII . THE ACADEMIC TRADITION · 186 VIII ...
... FALLACY III . THE ROMANTIC FALLACY ( continued ) : NATURALISM AND THE PICTURESQUE PAGE I 15 37 66 66 IV . THE MECHANICAL FALLACY • 94 V. THE ETHICAL FALLACY 121 · VI . THE BIOLOGICAL FALLACY 165 VII . THE ACADEMIC TRADITION · 186 VIII ...
Seite 125
... Fallacy paved the way for it . The Mechanical Fallacy provoked it . The essential fallacy of romanticism was , we saw , that it treated architectural form as primarily sym- bolic . Now there is evidently no reason why an art of form ...
... Fallacy paved the way for it . The Mechanical Fallacy provoked it . The essential fallacy of romanticism was , we saw , that it treated architectural form as primarily sym- bolic . Now there is evidently no reason why an art of form ...
Seite 162
... fallacy ; the fallacy of the critics of Fact . To imagine that because the ' conscience ' can enrich those values it has , on that account , the slightest power , with its own eyes , to see them , is the contrary , the Ethical Fallacy ...
... fallacy ; the fallacy of the critics of Fact . To imagine that because the ' conscience ' can enrich those values it has , on that account , the slightest power , with its own eyes , to see them , is the contrary , the Ethical Fallacy ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
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academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius