The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 59
... experience of art contains , or may contain , two elements , the one direct , the other in- direct . The direct element includes our sensuous experience and simple perceptions of form : the im- mediate apprehension of the work of art in ...
... experience of art contains , or may contain , two elements , the one direct , the other in- direct . The direct element includes our sensuous experience and simple perceptions of form : the im- mediate apprehension of the work of art in ...
Seite 63
... experienced , in the world of recollection — will become part of the shifting web of ideas which is the material of literary emotion . And this will be true of architectural experience . It may begin as a sensuous perception , but as ...
... experienced , in the world of recollection — will become part of the shifting web of ideas which is the material of literary emotion . And this will be true of architectural experience . It may begin as a sensuous perception , but as ...
Seite 64
... experience . When we renew the sensuous perception of the work of art , in addition to the immediate value this perception may have for us , there will be , surrounding it , a penumbra of ' literary ' and other values . And as our ...
... experience . When we renew the sensuous perception of the work of art , in addition to the immediate value this perception may have for us , there will be , surrounding it , a penumbra of ' literary ' and other values . And as our ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius