The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 59
... element . These two elements are present in nearly every æsthetic experience ; but they may be very differently may justify us in saying that , at the hands of our romantically - minded critics , the Renaissance suffers from neglect ...
... element . These two elements are present in nearly every æsthetic experience ; but they may be very differently may justify us in saying that , at the hands of our romantically - minded critics , the Renaissance suffers from neglect ...
Seite 60
... elements of ' significance ' : as , for example , the sight of darkness with the notion of gloom , or of unbroken surfaces with the notion of repose . Never- theless , the direct elements of poetry - its sound and form - are valuable ...
... elements of ' significance ' : as , for example , the sight of darkness with the notion of gloom , or of unbroken surfaces with the notion of repose . Never- theless , the direct elements of poetry - its sound and form - are valuable ...
Seite 107
... elements ; they may be enriched by colour or carving ; but our pleasure in the colour and the carving will be pleasure in painting or sculpture ; our specifically architec- tural pleasure will be in the functions of the structural elements ...
... elements ; they may be enriched by colour or carving ; but our pleasure in the colour and the carving will be pleasure in painting or sculpture ; our specifically architec- tural pleasure will be in the functions of the structural elements ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius