The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 29
... distinction was now admitted . How far such a distinction between construction and design is legitimate RENAISSANCE ARCHITECTURE 29.
... distinction was now admitted . How far such a distinction between construction and design is legitimate RENAISSANCE ARCHITECTURE 29.
Seite 110
... distinction between the several elements of architectural design with extreme clearness . It realised that , for certain pur- poses in architecture , fact counted for everything , and that in certain others , appearance counted for ...
... distinction between the several elements of architectural design with extreme clearness . It realised that , for certain pur- poses in architecture , fact counted for everything , and that in certain others , appearance counted for ...
Seite 112
... appearance , that he was enabled , in so supreme a measure , to succeed . And it was by their sense of the same distinction that the It was architects of the Renaissance , as a school , not 112 THE ARCHITECTURE OF HUMANISM.
... appearance , that he was enabled , in so supreme a measure , to succeed . And it was by their sense of the same distinction that the It was architects of the Renaissance , as a school , not 112 THE ARCHITECTURE OF HUMANISM.
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius