The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 59
A Study in the History of Taste Geoffrey Scott. Such were the consequences of the prepossession which translates ... consequence , it is sometimes said to express . This is the indirect , or associative , element . These two elements are ...
A Study in the History of Taste Geoffrey Scott. Such were the consequences of the prepossession which translates ... consequence , it is sometimes said to express . This is the indirect , or associative , element . These two elements are ...
Seite 140
... consequences of a work upon the craftsman ; sometimes of the ends which the work is set to serve , and of its consequences upon the public . But in all cases his mind moves straight to the attendant conditions and ultimate results of ...
... consequences of a work upon the craftsman ; sometimes of the ends which the work is set to serve , and of its consequences upon the public . But in all cases his mind moves straight to the attendant conditions and ultimate results of ...
Seite 251
... Consequences for architecture : ( 1 ) Prejudice against Order , Proportion , and Conven- tion ( 2 ) Subordination of architecture to sculpture c . Naturalism as an esthetic value Rise of the picturesque ideal Italian quattrocento ...
... Consequences for architecture : ( 1 ) Prejudice against Order , Proportion , and Conven- tion ( 2 ) Subordination of architecture to sculpture c . Naturalism as an esthetic value Rise of the picturesque ideal Italian quattrocento ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius