The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 105
... building which charms the eye by its proportions and its elegance , and by the well - disposed light and shade of its projections , but where the intelligence gradually discovers constructive ' irrationality ' on every hand , and a building ...
... building which charms the eye by its proportions and its elegance , and by the well - disposed light and shade of its projections , but where the intelligence gradually discovers constructive ' irrationality ' on every hand , and a building ...
Seite 187
... building either of a different clime or a different age from those in which it was erected . There is no building , in fact , the design of which is not borrowed from some country or people with whom our only associations are those ...
... building either of a different clime or a different age from those in which it was erected . There is no building , in fact , the design of which is not borrowed from some country or people with whom our only associations are those ...
Seite 234
... building three things may be distinguished the bigness which it actually has , the bigness which it appears to have , and the feeling of bigness which it gives . The two last have often been confused , but it is the feeling of bigness ...
... building three things may be distinguished the bigness which it actually has , the bigness which it appears to have , and the feeling of bigness which it gives . The two last have often been confused , but it is the feeling of bigness ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
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academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius