The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 76
... argument assumed a different plane . To be ' natural ' was no longer a point merely of poetic charm - it was a point of sanctity . With Ruskin , for example , the argument from Nature is always final . ' Canst thou draw out Leviathan ...
... argument assumed a different plane . To be ' natural ' was no longer a point merely of poetic charm - it was a point of sanctity . With Ruskin , for example , the argument from Nature is always final . ' Canst thou draw out Leviathan ...
Seite 101
... argument is based on the Greek and mediæval practice of architecture , it is an argument a posteriori . But it is clearly useless to reason dogmatically a posteriori , except from the evidence of all the facts . If all the architecture ...
... argument is based on the Greek and mediæval practice of architecture , it is an argument a posteriori . But it is clearly useless to reason dogmatically a posteriori , except from the evidence of all the facts . If all the architecture ...
Seite 265
... argument . Yet I was unwilling to expand it , thinking the wood might not be seen for the trees . The argument is close ; but the book is short . And I myself would prefer , if need be , to read some things twice than to have read ...
... argument . Yet I was unwilling to expand it , thinking the wood might not be seen for the trees . The argument is close ; but the book is short . And I myself would prefer , if need be , to read some things twice than to have read ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius