The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
Im Buch
Ergebnisse 1-3 von 17
Seite 23
... appear to have furnished the large idea to which the new classic architecture might stand in service . But we must not overlook the extent to which the papacy was itself indebted , for that quality , to the artists of the Renaissance ...
... appear to have furnished the large idea to which the new classic architecture might stand in service . But we must not overlook the extent to which the papacy was itself indebted , for that quality , to the artists of the Renaissance ...
Seite 152
... appear to some that my labour is unnecessary and that I am like a man fighting a battle without enemies , such ... appears in this country or in France . The attack varies in severity , and in extent . Either the whole Renaissance style ...
... appear to some that my labour is unnecessary and that I am like a man fighting a battle without enemies , such ... appears in this country or in France . The attack varies in severity , and in extent . Either the whole Renaissance style ...
Seite 262
... appear . Our ecclesiastical authorities have awakened to the discovery that there are still some Wren churches which may , at a financial profit , be pulled down ; and our Government , which lavishes money on futile academies and finds ...
... appear . Our ecclesiastical authorities have awakened to the discovery that there are still some Wren churches which may , at a financial profit , be pulled down ; and our Government , which lavishes money on futile academies and finds ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
9 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius