The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 50
... achieved . And the author of Vathek , contemplating in the torchlight his now crumpled , but once cloud - capped , pinnacles , may stand for the romantic failure of his time - for the failure of the poetic fancy , unassisted , to achieve ...
... achieved . And the author of Vathek , contemplating in the torchlight his now crumpled , but once cloud - capped , pinnacles , may stand for the romantic failure of his time - for the failure of the poetic fancy , unassisted , to achieve ...
Seite 110
... achieved by an identical expedient ? No doubt when this can be done , it is the simplest and most straightforward ... achieving this coincidence . When they took the primitive Doric construction , and raised it to a perfect æsthetic form ...
... achieved by an identical expedient ? No doubt when this can be done , it is the simplest and most straightforward ... achieving this coincidence . When they took the primitive Doric construction , and raised it to a perfect æsthetic form ...
Seite 172
... is clearly defined and supremely achieved . The tentative Brunelleschian charm has vanished , and a more assured and authoritative manner has taken its place . Here , as at no other time , 172 THE ARCHITECTURE OF HUMANISM.
... is clearly defined and supremely achieved . The tentative Brunelleschian charm has vanished , and a more assured and authoritative manner has taken its place . Here , as at no other time , 172 THE ARCHITECTURE OF HUMANISM.
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius