The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 45
... Gothic Architecture , improved by rules and proportions . ' These were the titles Langley successively affixed to the first two editions of his work . They show two alternative ways of regarding the same question - the Gothic , steadied ...
... Gothic Architecture , improved by rules and proportions . ' These were the titles Langley successively affixed to the first two editions of his work . They show two alternative ways of regarding the same question - the Gothic , steadied ...
Seite 68
... Gothic and the Greek , and had provoked a romantic revival of both . But the romantic sense of Nature weighted the balance in favour of the mediæval . The Gothic builders be- longed to the ' nobly savage ' north , and had built against ...
... Gothic and the Greek , and had provoked a romantic revival of both . But the romantic sense of Nature weighted the balance in favour of the mediæval . The Gothic builders be- longed to the ' nobly savage ' north , and had built against ...
Seite 97
... Gothic style had been , one might almost say , the predestined progress of that constructive invention . The climax of its effort , and its literal collapse , at Beauvais , was simply the climax and the collapse of a constructive ...
... Gothic style had been , one might almost say , the predestined progress of that constructive invention . The climax of its effort , and its literal collapse , at Beauvais , was simply the climax and the collapse of a constructive ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius