The Play's the Thing: Exploring Text in Drama and TherapyPsychology Press, 1996 - 244 Seiten Marina Jenkyns conveys the excitement of working therapeutically with dramatic text though a personal and highly readable analysis of plays from a variety of periods and cultures. Influenced by the theories of Winnicott and Klein she lays bare the dynamics of relationships and plots to show how they can be used to help us understand our own relationships to each other and the world around us. This highly innovative text integrates therapeutic practice and literature in an engaging and challenging book which will hold the attention of a wide audience. |
Inhalt
DRAMATHERAPY THROUGH THE LENGS OF THE PLAY | 1 |
PLAYING WHERE TWO WORLDS MEET | 25 |
THEORY INTO PRACTICE | 59 |
BEGINNING | 82 |
PAST INTO PRESENT THE WIDER CONTEXT | 104 |
THAT WAY MADNESS LIES THURSDAYs CHILD | 134 |
THE OPPRESSION OF TABOO | 162 |
WALLS WITHIN WALLS SOCIETY FAMILY AND THE INDIVIDUAL | 178 |
DEATH AND ACCEPTANCE | 207 |
THE EPILOGUE | 227 |
232 | |
237 | |
Andere Ausgaben - Alle anzeigen
The Play's the Thing: Exploring Text in Drama and Therapy Marina Jenkyns Eingeschränkte Leseprobe - 1996 |
The Play's the Thing: Exploring Text in Drama and Therapy Marina Jenkyns Eingeschränkte Leseprobe - 2006 |
The Play's the Thing: Exploring Text in Drama and Therapy Marina Jenkyns Eingeschränkte Leseprobe - 2006 |
Häufige Begriffe und Wortgruppen
actor aesthetic distance allow Altaaf Alving Arnold Wesker aspects audience Beatie Beatie's become beginning Betty Bimal boundaries Bryant Caliban Carol Caryl Churchill character child client Clive Cloud Nine containment context counter-transference create creative Dabby de-roling death depressive position dramatherapy group dramatic structure dramatic text dummy echoes Edward enable enactment space engaged Engstrand experience explore father fear feelings group members hold ibid individual infant introjection Jenny living look Manders Mary Maurya means metaphor mother move object Oswald pain paranoid-schizoid position person play play's possible potential space projective identification Prospero Ralph reality rehearsal relation relationship response role Ronnie Roona Safeena says Scene sense session sexual Shanta Sideway society speaks splitting stage structure subordinate super-ego Sylvie symbolic theatre therapeutic therapist therapy things tion unconscious Waiting for Godot wall Wesker Winnicott woman women words workshop