Subject and Object in Renaissance CultureMargreta de Grazia, Maureen Quilligan, Peter Stallybrass Cambridge University Press, 23.02.1996 - 398 Seiten This collection of original essays brings together some of the most prominent figures in New Historicist and cultural materialist approaches to the Early Modern period, and offers a new focus on the literature and culture of the Renaissance. |
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Inhalt
The ideology of superfluous things King Lear as period piece | 17 |
Rude mechanicals | 43 |
Spensers domestic domain poetry property and the Early Modern subject | 83 |
Materializations | 131 |
Gendering the Crown | 133 |
The unauthored 1539 volume in which is printed the Hecatomphile The Flowers of French Poetry and Other Soothing Things | 166 |
Dematerializations textile and textual properties in Ovid Sandys and Spenser | 189 |
Appropriations | 211 |
Unlearning the Aztec cantares preliminaries to a postcolonial history | 260 |
Fetishisms | 287 |
Worn worlds clothes and identity on the Renaissance stage | 289 |
The Countess of Pembrokes literal translation | 321 |
Remnants of the sacred in Early Modern England | 337 |
Objections | 347 |
The insincerity of women | 349 |
Desire is death | 369 |
Freedom service and the trade in slaves the problem of labor in Paradise Lost | 213 |
Feathers and flies Aphra Behn and the seventeenthcentury trade in exotica | 235 |
Andere Ausgaben - Alle anzeigen
Subject and Object in Renaissance Culture Margreta de Grazia,Maureen Quilligan,Peter Stallybrass Keine Leseprobe verfügbar - 1996 |
Häufige Begriffe und Wortgruppen
appears argued associated become beginning body called century claims clothes collection construction course court critical cultural death described desire discourse discussion Dream Early Early Modern edition Elizabeth Elizabethan England English essay European example fact father female figure final gender give hand human identity John joining kind King labor land language Lear lines literary London male Mary Sidney master material means mechanicals metaphor nature notes object once original painting period person play pleasure poem poet poetry political position present printed production Queene question reading reference relation Renaissance represents rhetoric rude rule scene seems sense sexual Shakespeare slave slavery social song specific Spenser stage Studies suggests theater things Thomas tion trade translation turn University woman women writing York
Verweise auf dieses Buch
Renaissance Clothing and the Materials of Memory Ann Rosalind Jones,Peter Stallybrass Eingeschränkte Leseprobe - 2000 |
Maids and Mistresses, Cousins and Queens: Women's Alliances in Early Modern ... Susan Frye,Karen Robertson Eingeschränkte Leseprobe - 1999 |