NIGHTWATCHES. WHILE the slow clock, as they were miser's gold, Counts and recounts the mornward steps of Time, The darkness thrills with conscience of each crime By Death committed, daily grown more bold. Once more the list of all my wrongs is told, And ghostly hands stretch to me from my prime Helpless farewells, as from an alien clime; For each new loss redoubles all the old. This morn 't was May; the blossoms were astir With southern wind; but now the boughs are bent With snow instead of birds, and all things freeze. How much of all my past is dumb with her, And of my future, too, for with her Grim jest of fate! blind, PESSIMOPTIMISM. Yet who dare call it With all Heaven's blue before them: Knowing what life is, what our human- Or Music is it such enchantment sings? kind? PRISON OF CERVANTES. SEAT of all woes? Though Nature's firm decree The narrowing soul with narrowing dungeon bind, Yet was his free of motion as the wind, And held both worlds, of spirit and sense, in fee. In charmed communion with his dual mind He wandered Spain, himself both knight and hind, Redressing wrongs he knew must ever be. His humor wise could see life's long deceit, Man's baffled aims, nor therefore both despise; His knightly nature could ill fortune greet Like an old friend. Whose ever such kind eyes That pierced so deep, such scope, save his whose feet By Avon ceased 'neath the same April's skies? THE EYE'S TREASURY. GOLD of the reddening sunset, backward thrown In largess on my tall paternal trees, Thou with false hope or fear didst never tease His heart that hoards thee; nor is childhood flown From him whose life no fairer boon hath known Than that what pleased him earliest still should please. And who hath incomes safe from chance as these, Gone in a moment, yet for life his own? All other gold is slave of earthward laws; This to the deeps of ether takes its flight, And on the topmost leaves makes glorious pause Of parting pathos ere it yield to night: So linger, as from me earth's light withdraws, Dear touch of Nature, tremulously bright! PESSIMOPTIMISM. YE little think what toil it was to build A world of men imperfect even as this, Where we conceive of Good by what we miss, Of Ill by that wherewith best days are filled; A world whose every atom is self-willed, Whose corner-stone is propt on artifice, Whose joy is shorter-lived than woman's kiss. Whose wisdom hoarded is but to be spilled. Yet this is better than a life of caves, Whose highest art was scratching on a bone, Or chipping toilsome arrowheads of flint; Better, though doomed to hear while Cleon raves, To see wit's want eterned in paint or stone, wade the drain-drenched shoals of daily print. And THE BRAKES. WHAT Countless years and wealth of brain were spent To bring us hither from our caves and huts, And trace through pathless wilds the deep-worn ruts Of faith and habit, by whose deep indent Prudence may guide if genius be not lent, Genius, not always happy when it shuts Its ears against the plodder's ifs and buts, Hoping in one rash leap to snatch the event. The coursers of the sun, whose hoofs of flame Consume morn's misty threshold, are exact As bankers' clerks, and all this starpoised frame, One swerve allowed, were with convulsion rackt; This world were doomed, should Dulness A FOREBODING. WHAT were the whole void world, if thou wert dead, Whose briefest absence can eclipse my day, And make the hours that danced with Time away Drag their funereal steps with muffled head? Through thee, meseems, the very rose is red, From thee the violet steals its breath in May, From thee draw life all things that grow not gray, And by thy force the happy stars are sped. Thou near, the hope of thee to overflow Fills all my earth and heaven, as when in Spring, Ere April come, the birds and blossoms know, And grasses brighten round her feet to cling; Nay, and this hope delights all nature so Wit's feathered heels in the stern stocks That the dumb turf I tread on seems to fail, to tame III. FANCY. UNDER THE OCTOBER MAPLES. WHAT mean these banners spread, Surely for thee are meant My brain shapes form and face, Love called, and I could not linger, But sought the forbidden tryst, As music follows the finger Of the dreaming lutanist. And though you had said it and said it, "We must not be happy to-day," Was I not wiser to credit The fire in my feet than your Nay? SCHERZO. WHEN the down is on the chin Summer's cheek too soon turns thin, When new life is in the leaf Never moments come like those, |