The Plays of William Shakespeare in Ten Volumes: With Corrections and Illustrations of Various Commentators, Band 10C. Bathurst, 1778 |
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Seite 426
... Iago . Bianca , mistress to Caffio . Officers , gentlemen , messengers , musicians , failors , and attendants . SCENE , for the first at , in Venice ; during the ref of the play , in Cyprus . ACT I. SCENE I. VENIC E. A street . Enter ...
... Iago . Bianca , mistress to Caffio . Officers , gentlemen , messengers , musicians , failors , and attendants . SCENE , for the first at , in Venice ; during the ref of the play , in Cyprus . ACT I. SCENE I. VENIC E. A street . Enter ...
Seite 427
... Iago , —who hast had my purse , As if the strings were thine , —Ihouldst know of this . Iago . But you'll not hear me 3 : If ever I did dream of such a matter , abhor me . Rod . Thou toldst me , thou didst hold him in thy hate . Iago ...
... Iago , —who hast had my purse , As if the strings were thine , —Ihouldst know of this . Iago . But you'll not hear me 3 : If ever I did dream of such a matter , abhor me . Rod . Thou toldst me , thou didst hold him in thy hate . Iago ...
Seite 428
... Iago , and not Caffio , who was the Florentine , as appears from Act j. Sc , 1 . The passage therefore should be read thus : — a Florentine** , A fellow almost damned in a fair wife ; ] These are the word» of Othello ( which Iago in ...
... Iago , and not Caffio , who was the Florentine , as appears from Act j. Sc , 1 . The passage therefore should be read thus : — a Florentine** , A fellow almost damned in a fair wife ; ] These are the word» of Othello ( which Iago in ...
Seite 430
... Iago to be a Florentine , which has hitherto been inferred from the following passage in Act 3. Scene 1. where Cassio , speaking of Iago , says , I never knew A Florentine more kind and boncjl . It is surely not uncommon for us to fay ...
... Iago to be a Florentine , which has hitherto been inferred from the following passage in Act 3. Scene 1. where Cassio , speaking of Iago , says , I never knew A Florentine more kind and boncjl . It is surely not uncommon for us to fay ...
Seite 431
... Iago's licentious manner of expressing him- felf , no more than a man very near being married . This seems to have been the cafe in respect of Caslio , Act 4. Scene 1 . logo * speaking to him of Bianca , says - Why the cry goes that you ...
... Iago's licentious manner of expressing him- felf , no more than a man very near being married . This seems to have been the cafe in respect of Caslio , Act 4. Scene 1 . logo * speaking to him of Bianca , says - Why the cry goes that you ...
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againſt ancient becauſe Benvolio Brabantio Caffio Capulet caufe Clown Cyprus death Defdemona doft doth edition Emil Enter Exeunt Exit expreffion eyes Faery Queen faid fair fame father fatire fcene fecond feems fenfe fhall fhew fhould fignifies fince firſt flain fleep folio fome foul fpeak fpeech fpirit ftand ftill fuch fuppofe fure fweet fword give Hamlet Hanmer hath heart heaven himſelf honeft huſband Iago itſelf JOHNSON Juliet King lady Laer Laertes laft lago loft lord means Mercutio moft moſt muft muſt myſelf night Nurfe Nurſe obferved occafion old quarto Ophelia Othello paffage paffion phrafe play poet Polonius prefent quarto reads Queen reafon reft Romeo Shakeſpeare ſhall ſhe ſpeak STEEVENS thee thefe THEOBALD theſe thofe thoſe thought tranflation Tybalt uſed WARBURTON whofe wife word