The Dialogue of the Mind with Itself: Early Victorian Poetry and Poetics

acknowledges aesthetic amid analogy appearances Arnold artist attempt becomes Browning Browning's calls Carlyle Carlyle's character characteristic clear comes condition consciousness consequences continual correspondence creation critical dark defined definition dialogue disclosed discontinuity discourse discover discussion divine early Victorian elements embodiment Empedocles essay essential existence external fact faith feelings force forms function fundamental ground hall heart human idea identity imagination important impossible involves landscape light living London looking man's mind mirror modern nature never object observes once painting Palace past perceiver phenomena physical picture poem poet poet's poetic poetry position present produces provides psychological question reality recognition recognizes recursions reflections regarded rendered repeated repetition represented result reveals Roland romantic Ruskin seems seen sense shadows significant similar soul spectator spirit subjective suggests Tennyson's things thought tion truth ultimately understanding universe Victorian vision voices whole Wordsworth's writes York