The Dialogue of the Mind with Itself: Early Victorian Poetry and Poetics

acknowledges aesthetic amid Arthur Hugh Clough artifact attempt becomes Browning Browning's Callicles Carlyle Childe Roland Clough Coleridge consciousness consequences correspondence daimon defined definition dialectic dialogue disclosed discontinuity discourse discover divine early Victorian elements embodiment Empedocles essay essential existence expressivist external fact faith feelings forms given historical hall of mirrors Hallam human idea identity immutable indeterminacy involves Iseult J. M. W. Turner landscape M. H. Abrams man's Matthew Arnold mind mind's mirror analogy modern narrator nature never object painting Palace of Art Paracelsus past Peele Castle perceiver phenomena phenomenal world poem poet poet's poetic anima poetry portrait predicates psychological reality recognition recognizes recursions reflex regarded rendered repetition represented result retina romantic Ruskin Sartor Resartus self-conscious self's sense shadows Shelley significant Sordello soul spectator spirit Stanzas Tennyson's things thought Tintern Abbey tion truth Turner's Ulysses unpoetical Victorian artistic Victorian critics Victorian poetic vision voices Wordsworth writes