The Figure of Theater: Shaftesbury, Defoe, Adam Smith, and George Eliot

actor actress Adam Smith antitheatrical anxiety appear argue audience author and reader autobiography Bartholomew Fair becomes beholder calls chapter character Characteristics characterization claims conceal Concerning counterfeit Criticism Crusoe's Daniel Defoe Daniel Deronda daughter Defoe's describes dialogue discussion disguise dress eighteenth eighteenth-century Eliot English enter Essay eyes face feelings fiction figure of theater George Eliot Grandcourt Gwendolen Henry Fielding Hugh Kenner Ian Watt identity imagine impartial spectator impersonation imposture insists Letter look mask means Mirah Moll Flanders Moll's Moral Sentiments Mordecai narrative narrator Novak novel oneself ourselves Patricia Meyer Spacks person philosophy play poses position preface present published Puritan represent representation Robinson Crusoe role Roxana scene seems seen sense Serious Reflections Shaftesbury Smith Soliloquy someone speak spectacle stage stands story suggest sympathy tableau vivant tells Theory of Moral tion University Press voice witness woman writes York