Poetic Obligation: Ethics in Experimental American Poetry After 1945University of Iowa Press, 2008 - 263 Seiten Since at least the time of Plato’s Republic, the relationship between poetry and ethics has been troubled. Through the prism of what has been called the “new” ethical criticism, inspired by the work of Emmanuel Levinas, G. Matthew Jenkins considers the works of Objectivists, Black Mountain poets, and Language poets in light of their full potential to reshape this ancient relationship. American experimental poetry is usually read in either political or moral terms. Poetic Obligation, by contrast, considers the poems of Louis Zukofsky, Charles Reznikoff, George Oppen, Edward Dorn, Robert Duncan, Susan Howe, and Lyn Hejinian in terms of the philosophical notion of ethical obligation to the Other in language. Jenkins's historical trajectory enables him to consider the full breadth of ethical topics that have driven theoretical debate since the end of World War II. This original approach establishes an ethical lineage in the works of twentieth-century experimental poets, creating a way to reconcile the breach between poetry and the issue of ethics in literature at large. With implications for a host of social issues, including ethnicity and immigration, economic inequities, and human rights, Jenkins's imaginative reconciliation of poetry and ethics will provide stimulating reading for teachers and scholars of American literature as well as advocates and devotees of poetry in general. Poetic Obligation marshals ample evidence that poetry matters and continues to speak to the important issues of our day. |
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Seite 36
... Levinas's and Oppen's writings . Note this one Levinas uses in Totality and Infinity : “ [ the relation with the Other is ] a relation in which the terms absolve themselves from the relation , remain absolute within the relation " ( 64 ) ...
... Levinas's and Oppen's writings . Note this one Levinas uses in Totality and Infinity : “ [ the relation with the Other is ] a relation in which the terms absolve themselves from the relation , remain absolute within the relation " ( 64 ) ...
Seite 45
... Levinas's skepticism of poetry is not total and begins to change after 1955. Through his relationship with Maurice Blanchot , Levinas begins to explore the relationship of philosophy and poetry in such essays as " The Servant and Her ...
... Levinas's skepticism of poetry is not total and begins to change after 1955. Through his relationship with Maurice Blanchot , Levinas begins to explore the relationship of philosophy and poetry in such essays as " The Servant and Her ...
Seite 231
... Levinas's critique of intention . 7 A major weakness in Woods's work is the absence of a discussion of Levinas's scepticism toward poetry , which can most readily by seen in " Reality and Its Shadow . " See Robbins , Altered 139 and ...
... Levinas's critique of intention . 7 A major weakness in Woods's work is the absence of a discussion of Levinas's scepticism toward poetry , which can most readily by seen in " Reality and Its Shadow . " See Robbins , Altered 139 and ...
Inhalt
Objectivist Poethics | 23 |
Charles Reznikoffs Holocaust | 61 |
Excess and Eros | 87 |
Urheberrecht | |
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Poetic Obligation: Ethics in Experimental American Poetry After 1945 Matthew G. Jenkins Eingeschränkte Leseprobe - 2008 |
Häufige Begriffe und Wortgruppen
aesthetic ambiguity American poetry atrocity avant-garde begin body calls Cell Charles Reznikoff context criticism culture deixis desire discourse Dorn Dorn's DuPlessis Edward Dorn Emily Emmanuel Levinas essay ethical responsibility ethical turn ethics of excess existence feminism feminist Fictive figure formal Franciosi Fredman gender George Oppen Gunslinger Hatlen Holocaust Howe's human Irigaray Language poets Levinas Levinas's linguistic literally logic Lorine Niedecker Lyn Hejinian Lyn Hejinian Papers lyric meaning Menorah metonymy mode moral judgment Nazi Niedecker Nonconformist's notion object objectification obligation Olson Oppen's poetry paradox passage phenomenology philosophy phrase points political possibility postmodern question reader refer relationship Reznikoff Robert Duncan satire saying of language seems sense sentence sexual alterity sexual difference signifier silence Simone de Beauvoir simply Slinger social stanza survivor guilt Susan syntax thematic theme thing Tim Woods tion totality trace transcendence UCSD violence women words Zukofsky Zukofsky's