Literary Criticism: Pope to CroceGay Wilson Allen, Harry Hayden Clark American Book Company, 1941 - 659 Seiten |
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... true epic , and even to the last vestige in the drama , which is the most objective and , in more than one re- spect , the completest and most difficult form of poetry . The lyrical form of poetry is consequently the easiest , and ...
... true epic , and even to the last vestige in the drama , which is the most objective and , in more than one re- spect , the completest and most difficult form of poetry . The lyrical form of poetry is consequently the easiest , and ...
Seite 504
... true and untrue or only half - true . It is charlatanism , conscious or unconscious , whenever we confuse or obliterate these . And in poetry , more than anywhere else , it is unpermissible to con- fuse or obliterate them . For in ...
... true and untrue or only half - true . It is charlatanism , conscious or unconscious , whenever we confuse or obliterate these . And in poetry , more than anywhere else , it is unpermissible to con- fuse or obliterate them . For in ...
Seite 507
... true and right meaning of the word classic , classical ) , then the great thing for us is to feel and enjoy his work as deeply as ever we can , and to appreciate the wide difference between it and all work which has not the same high ...
... true and right meaning of the word classic , classical ) , then the great thing for us is to feel and enjoy his work as deeply as ever we can , and to appreciate the wide difference between it and all work which has not the same high ...
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ALEXANDER POPE | 1 |
JOSEPH ADDISON | 24 |
FRANÇOIS MARIE AROUET DE VOLTAIRE | 35 |
Urheberrecht | |
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action admirable Aeschylus aesthetic Alexander Pope ancient appears artist beauty BIBLIOGRAPHY TEXT century character Charles Lamb classical Claude Bernard Coleridge comedy comic common divine drama Edgar Allan Poe English epic essay Euripides expression eyes fact fancy feeling fiction French Friedrich Schlegel genius give Goethe Greek Homer human idea ideal Iliad imagination imitation intellect judge judgment kind language laugh laws less Literary Criticism literature living London lyric Madame de Staël manner matter means mind modern Modern Language Association Molière moral nation nature never novel object observation painting passion person philosophical pleasure poem poet poetic poetry Preface principle produced prose reader reason romantic romanticism rules Sainte-Beuve Schiller sense sentiments Shakespeare soul speak spirit taste theory things thought tion tragedy translation true truth University verse vols Voltaire Walter Pater whole words writing York