Literary Criticism: Pope to CroceGay Wilson Allen, Harry Hayden Clark American Book Company, 1941 - 659 Seiten |
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... nature . " Under the influence of the eighteenth - century critics , the Aristotelian maxim that the poet was to imitate nature received a very realistic interpretation . " Nature " not only meant the universal element in the world but ...
... nature . " Under the influence of the eighteenth - century critics , the Aristotelian maxim that the poet was to imitate nature received a very realistic interpretation . " Nature " not only meant the universal element in the world but ...
Seite 151
... nature , it is necessary that nature should have first displayed all her power before our eyes . The sensuous being must be profoundly and strongly affected , passion must be in play , that the reasonable being may be able to testify ...
... nature , it is necessary that nature should have first displayed all her power before our eyes . The sensuous being must be profoundly and strongly affected , passion must be in play , that the reasonable being may be able to testify ...
Seite 334
... nature ! nature and truth ! -And here , in order to prove that , far from demolishing art , the new ideas aim only to re- construct it more firmly and on a better foundation , let us try to point out the impassable limit which , in our ...
... nature ! nature and truth ! -And here , in order to prove that , far from demolishing art , the new ideas aim only to re- construct it more firmly and on a better foundation , let us try to point out the impassable limit which , in our ...
Inhalt
ALEXANDER POPE | 1 |
JOSEPH ADDISON | 24 |
FRANÇOIS MARIE AROUET DE VOLTAIRE | 35 |
Urheberrecht | |
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action admirable Aeschylus aesthetic Alexander Pope ancient appears artist beauty BIBLIOGRAPHY TEXT century character Charles Lamb classical Claude Bernard Coleridge comedy comic common divine drama Edgar Allan Poe English epic essay Euripides expression eyes fact fancy feeling fiction French Friedrich Schlegel genius give Goethe Greek Homer human idea ideal Iliad imagination imitation intellect judge judgment kind language laugh laws less Literary Criticism literature living London lyric Madame de Staël manner matter means mind modern Modern Language Association Molière moral nation nature never novel object observation painting passion person philosophical pleasure poem poet poetic poetry Preface principle produced prose reader reason romantic romanticism rules Sainte-Beuve Schiller sense sentiments Shakespeare soul speak spirit taste theory things thought tion tragedy translation true truth University verse vols Voltaire Walter Pater whole words writing York