Character and Satire in Post War FictionA&C Black, 01.06.2008 - 181 Seiten This monograph analyses the use of caricature as one of the key strategies in narrative fiction since the war. Close analysis of some of the best known postwar novelists including Toni Morrison, Philip Roth, Joyce Carol Oates, Angela Carter and Will Self, reveals how they use caricature to express postmodern conceptions of the self. In the process of moving away from the modernist focus on subjectivity, postmodern characterisation has often drawn on a much older satirical tradition which includes Hogarth and Gillray in the visual arts, and Dryden, Pope, Swift and Dickens in literature. Its key images depict the human as reduced to the status of an object, an animal or a machine, or the human body as dismembered to represent the fragmentation of the human spirit. Gregson argues that this return to caricature is symptomatic of a satirical attitude to the self which is particularly characteristic of contemporary culture. |
Inhalt
Introduction | 1 |
Ralph Ellison and Toni Morrison | 9 |
2 Joseph Hellers Allegories of Money | 31 |
3 Philip Roths Vulgar Aggressive Clowning | 55 |
4 Joyce Carol Oatess Political Anger | 79 |
5 Muriel Sparks Puppets of Thwarted Authority | 99 |
Angela Carter and Salman Rushdie | 111 |
Martin Amis and Will Self | 131 |
The Self As Cartoon | 151 |
Notes | 169 |
175 | |
179 | |
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Häufige Begriffe und Wortgruppen
African Americans aggression allegory Amis's Angela Carter anger animal arises aroused assumptions becomes Bloody Chamber caricatural caricatural imagery caricatural tradition Carter cartoon characterization characters comic commodification context contrast Corky Corky's culture death deconstruction deploys Dickens dominant Ellison essay evokes explicit explore father feels fiction gender grotesque Happened Harmondsworth Heller's human identity ideology impact individual innocence insists Invisible Jewish Jews Joseph Heller Joyce Carol Joyce Carol Oates leads liberal humanist linked lives London Fields Lonoff machine magic realism male Martin Amis masculine mask mechanical metafictional metaphor Muriel Spark narrative narrator novel novelist Oates Oates's obsessive ontological Penguin personification Philip Roth political Portnoy's Complaint postmodern preoccupation protagonist puppets realist reduced reference resembles reveals role Roth's Rushdie's Sabbath's Theatre Salman Rushdie satirical says self-consciously sense sexual Slocum social spiritual stereotype story Swede theme thinks tion Toni Morrison transformation turns women writers Yossarian Zuckerman