English Lessons for English PeopleRoberts Bros., 1898 - 303 Seiten |
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Seite ix
... obscurity , a fault which cannot be avoided without extreme care , owing to the uninflected nature of our language . - All these difficulties and dangers are quite as real , and require as much attention , and are fit subjects for ...
... obscurity , a fault which cannot be avoided without extreme care , owing to the uninflected nature of our language . - All these difficulties and dangers are quite as real , and require as much attention , and are fit subjects for ...
Seite xix
... Obscurity , from Misarrangement Obscurity , from Ambiguous Words . The Antidote for Obscurity The Rhetorical Period • • 5889 67 68 69 70 • 71 72 • 73 • 74 75 CHAPTER IV . SIMILE AND METAPHOR . PARAGRAPH A Simile CONTENTS . xix.
... Obscurity , from Misarrangement Obscurity , from Ambiguous Words . The Antidote for Obscurity The Rhetorical Period • • 5889 67 68 69 70 • 71 72 • 73 • 74 75 CHAPTER IV . SIMILE AND METAPHOR . PARAGRAPH A Simile CONTENTS . xix.
Seite xxiii
... Obscurity , from Misarrangement Obscurity , from Ambiguous Words . The Antidote for Obscurity The Rhetorical Period · PARAGRAPH 49 50 51 52 53 54 55 • 56 • • 57 58 • 59 60 61 62 63 64 65 66 5889 67 68 69 70 71 • 72 73 74 • 75 A Simile ...
... Obscurity , from Misarrangement Obscurity , from Ambiguous Words . The Antidote for Obscurity The Rhetorical Period · PARAGRAPH 49 50 51 52 53 54 55 • 56 • • 57 58 • 59 60 61 62 63 64 65 66 5889 67 68 69 70 71 • 72 73 74 • 75 A Simile ...
Seite 68
... obscurity , and euphony sound without sense . Thus ( 1 ) when Chapman uses wood- ness for madness , telling us that the " compos'd rage " of poetry is by many persons " held the simplest woodness , " he uses a word which had become ...
... obscurity , and euphony sound without sense . Thus ( 1 ) when Chapman uses wood- ness for madness , telling us that the " compos'd rage " of poetry is by many persons " held the simplest woodness , " he uses a word which had become ...
Seite 69
Edwin Abbott Abbott, Sir John Robert Seeley. ( 3 ) Obscurity is a common result of the poetic attempt at brevity . Thus , Vouchsafe ( to receive ) good morrow from a feeble tongue . Julius Caesar , ii . 1. 313 . Instances might be ...
Edwin Abbott Abbott, Sir John Robert Seeley. ( 3 ) Obscurity is a common result of the poetic attempt at brevity . Thus , Vouchsafe ( to receive ) good morrow from a feeble tongue . Julius Caesar , ii . 1. 313 . Instances might be ...
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Häufige Begriffe und Wortgruppen
accented syllable affixes alliteration alliterative ambiguity amphibrachic anapæstic archaic argument avoided blank verse cæsura called character common conversation couplet COWPER defined definition didactic composition dissyllabic metre Dryden early English effect elevated Eliminates emphatic English poetry epic epithets euphony example excess express extra syllable fault feet foot forcible four accents give graceful style Greek Grimm's Law hand Hence iamb iambic Illustrate imaginative incidents Induction instance Julius Cæsar kind language Latin less license meaning Metaphor Metrical Accent Milton monosyllable narration natural noun object oppression oratory Paradise Lost passage pause perhaps periphrasis Personal Metaphor Personification picturesque pleasure plough poem poetic diction poets Pope predicate pronounced prose rhyme rhythm Richard II rule sense sentence Shakspeare simile slang sometimes Sonnet sound speak speaker speech stanza syllables synonyms Tennyson thing thou thought tion trisyllabic metre trochaic trochee unaccented syllable verb verse vowel words writing
Beliebte Passagen
Seite 83 - It is now sixteen or seventeen years since I saw the Queen of France, then the dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision.
Seite 83 - ... little did I dream that I should have lived to see such disasters fallen upon her in a nation of gallant men, in a nation of men of honour and of cavaliers. I thought ten thousand swords must have leaped from their scabbards to avenge even a look that threatened her with insult.
Seite 123 - IT is a beauteous evening, calm and free ; The holy time is quiet as a Nun Breathless with adoration...
Seite 85 - Kent. Vex not his ghost. O, let him pass! He hates him That would upon the rack of this tough world Stretch him out longer.
Seite 184 - Fair daffodils, we weep to see You haste away so soon; As yet the early-rising sun Has not attained his noon. Stay, stay, Until the hasting day Has run But to the even-song; And, having prayed together, we Will go with you along.
Seite 82 - Methinks I see her as an eagle mewing her mighty youth, and kindling her undazzled eyes at the full mid-day beam ; purging and unsealing her long abused sight at the fountain itself of heavenly radiance, while the whole noise of timorous and flocking birds, with those also that love the twilight, flutter about, amazed at what she means, and in their envious gabble would prognosticate a year of sects and schisms.
Seite 138 - As Caesar loved me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honour him; but, as he was ambitious, I slew him.
Seite 84 - ... and robed to the feet, and leaning to each other across the gates, their figures indistinct among the gleaming of the golden ground through the leaves beside them, interrupted and dim, like the morning light as it faded back among the branches of Eden, when first its gates were angel-guarded long ago.
Seite 203 - Camoens soothed an exile's grief; The Sonnet glittered a gay myrtle leaf Amid the cypress with which Dante crowned His visionary brow : a glow-worm lamp, It cheered mild Spenser, called from Faeryland To struggle through dark ways ; and, when a damp Fell round the path of Milton, in his hand The Thing became a trumpet ; whence he blew Soul-animating strains — alas, too few...
Seite 118 - Horribly beautiful ! but on the verge, From side to side, beneath the glittering morn, An Iris sits, amidst the infernal surge, Like Hope upon a deathbed, and, unworn Its steady dyes, while all around is torn By the distracted waters, bears serene Its brilliant hues with all their beams unshorn : Resembling, mid the torture of the scene, Love watching Madness with unalterable mien.