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Practical Illustrations of Rhetorical Gesture and Action
Johann Jacob Engel,Henry Siddons
Keine Leseprobe verfügbar - 2018
able according action actor admiration affections ancient appears approach arms attention attitude beautiful become body carried cause character choler circumstance complete concerning consider contempt contrary desire determinate develope difficulty directed drama elevated employed entirely equally examination example excite expression eyes fear feel figure follow force gesture give hand head heart ideas imitation indicate interest Jones kind known language less LETTER lively look manner mark means ment mind mouth movements nature necessary Neely never object observation opinion origin painting pantomime particular passion perfect perhaps person Plate play poet possible present produce proper prove reason remark render represented rule scene sense sentiment Sherwood signs similar simple situation soft solely sometimes soul speak species theatre thing thought tion tone traits truth turned verse whilst whole wish
Seite 45 - O, it offends me to the soul, to hear a robustious, periwigpated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings; who, for the most part, are capable of nothing but inexplicable dumb shows, and noise.
Seite 133 - Nay, do not think I flatter; For what advancement may I hope from thee, That no revenue hast, 8 but thy good spirits, To feed and clothe thee ? Why should the poor be flatter'd / No; let the candied tongue lick absurd pomp, And crook the pregnant hinges of the knee 9 Where thrift may follow fawning.
Seite 47 - Nor do not saw the air too much with your hand, thus: but use all gently: for in the very torrent, tempest, and (as I may say) whirlwind of your passion, you must acquire and beget a temperance, that may give it smoothness.
Seite 321 - I'll curee thee with my last, my parting breath, And keep the courage of my life, in death ; Then boldly venture on that world unknown : It cannot use me worse than this has done.
Seite 306 - Farmer, you have the honour of conversing with a man who has obtained patents for tweezers, tooth-picks, and tinder-boxes — to a philosopher who has been consulted on the Wapping docks and the Gravesend tunnel ; and who has now in hand two inventions which will render him immortal — the one is, converting saw-dust into deal boards, and the other is, a plan of cleaning rooms by a steam engine — and, Farmer, I mean to give prizes for industry — I'll have a ploughing match.
Seite 262 - ... of music, which, in running over all the notes, immediately loses the sound when the breath ceases; but rather resembles a string-instrument, where, after each stroke, the vibrations still retain some sound, which gradually and insensibly decays.
Seite 305 - I must give this rustic some idea of my consequence [aside] . You must know, Farmer, you have the honour of conversing with a man who has obtained patents for tweezers, tooth-picks, and tinder-boxes — to a philosopher who has been...
Seite 283 - towards the house-rent, buildings, scaffolding, and making of frames for scenes ; one for a provision of habits, properties, and scenes, for a supplement of the said theatre ; and seven to maintain all the women that are to perform or represent women's parts, in tragedies, comedies, &c., and in consideration of creating and establishing his actors to be a company, and his pains and expenses for that purpose for many years.
Seite 285 - ... heads, bags, and court swords. The general effect must have been considerably impaired by such a distinction ; and with an actor of less ability, the illusion would have been weakened, if not destroyed : but while Garrick acted, attention was employed on him, and him alone; all exterior objects were put to flight by his transcendant genius.