Ancient Greek Women in Film

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Konstantinos P. Nikoloutsos
OUP Oxford, 2013 - 376 Seiten
This volume examines cinematic representations of ancient Greek women from the realms of myth and history. It discusses how these female figures are resurrected on the big screen by different filmmakers during different historical moments, and are therefore embedded within a narrative which serves various purposes, depending on the director of the film, its screenwriters, the studio, the country of its origin, and the sociopolitical context at the time of its production. Using a diverse array of hermeneutic approaches (such as gender theory, feminist criticism, psychoanalysis, viewer-response theory, and personal voice criticism), the essays aim to cast light on cinema's investments in the classical past and decode the mechanisms whereby the women under examination are extracted from their original context and are brought to life to serve as vehicles for the articulation of modern ideas, concerns, and cultural trends. The volume thus aims to investigate not only how antiquity on the screen depicts, and in this process distorts, compresses, contests, and revises, antiquity on the page but also, more crucially, why the medium follows such eclectic representational strategies vis-à-vis the classical world.
 

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Inhalt

Introduction
1
HELEN
17
MEDEA
73
Penelope
137
Other Mythical Women
187
Historical Women
253
Bibliography
331
Index
365
Urheberrecht

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Über den Autor (2013)


Konstantinos P. Nikoloutsos is Assistant Professor of Latin and Ancient Studies at Saint Joseph's University in Philadelphia. He has published a number of articles in the fields of Roman elegy, ancient history on film, and the classical tradition in Latin America and the Caribbean.

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