The Parthenon and Its Impact in Modern TimesPanayotis Tournikiotis Melissa, 1994 - 365 Seiten This volume brings together 11 original essays by scholars and writers each offering a different perspective on this cultural monument. Detailed descriptions of the sculpture and architecture are included, as well as discussions of the place of the Parthenon in the history and theory of modern architecture, depictions of the Parthenon in art through the ages, the Parthenon as appreciated by contemporary Greek society and the Parthenon in the consciousness of modern Greek poets and thinkers. |
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Seite 114
... tion to a problem of pure static engineering - as dictated by the necessity for compositional and aesthetic justifica- tion within the content of the scene - can only be inter- preted as the concept of the greatest sculptor of all time ...
... tion to a problem of pure static engineering - as dictated by the necessity for compositional and aesthetic justifica- tion within the content of the scene - can only be inter- preted as the concept of the greatest sculptor of all time ...
Seite 186
... tion and restoration were taken to protect and enhance it . Now , too , travel ceased to be a matter of a personal quest through adventure of an identity and a vision , and the monument was accessible to the masses ; that , in turn ...
... tion and restoration were taken to protect and enhance it . Now , too , travel ceased to be a matter of a personal quest through adventure of an identity and a vision , and the monument was accessible to the masses ; that , in turn ...
Seite 225
... tion from the nineteenth to the twentieth century was not simply a change in ideology . It was largely the outcome of - a fundamental alteration in the means of construction . Stone and brick gave way to reinforced concrete , and the ...
... tion from the nineteenth to the twentieth century was not simply a change in ideology . It was largely the outcome of - a fundamental alteration in the means of construction . Stone and brick gave way to reinforced concrete , and the ...
Inhalt
STELIOS LYDAKIS | 231 |
DAVID VAN ZANTEN | 259 |
DIMITRIS PHILIPPIDES | 279 |
Urheberrecht | |
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Acropolis aesthetic ancient Antiquities approach Archaeological architects architecture architrave artistic Athenian Athens beauty building cella century Christian church Classical collection columns complete composition construction continued corner course depicted Doric drawings early east east pediment entire example expression facade fact figures French frieze function German Greece Greek hand important interest Italy Korres later London marble material meaning ment metopes monument Museum nature once original painted Paris Parthe Parthenon particular pediment period Persian Photograph plate position published question reason recent reconstruction reference restoration result Revett Roman Rome ruins rule sculptures seen showing side society Source space spirit statue stone structure Stuart symbol taken temple thenon tion travellers various visited visitors walls