The Parthenon and Its Impact in Modern TimesPanayotis Tournikiotis Melissa, 1994 - 365 Seiten This volume brings together 11 original essays by scholars and writers each offering a different perspective on this cultural monument. Detailed descriptions of the sculpture and architecture are included, as well as discussions of the place of the Parthenon in the history and theory of modern architecture, depictions of the Parthenon in art through the ages, the Parthenon as appreciated by contemporary Greek society and the Parthenon in the consciousness of modern Greek poets and thinkers. |
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Seite 227
... hand - served as the starting - point for a whole se- ries of depictions of the Parthenon which marked out its place in the iconographic vocabulary of architecture ( cf. Edward Bodnar , Cyriacus of Ancona and Athens , Brussels 1960 ...
... hand - served as the starting - point for a whole se- ries of depictions of the Parthenon which marked out its place in the iconographic vocabulary of architecture ( cf. Edward Bodnar , Cyriacus of Ancona and Athens , Brussels 1960 ...
Seite 282
... hand , the manner of classification is of the greatest importance , since the man- ner chosen to organise the material will - directly or indi- rectly - determine the quality of the final conclusions . Transformations After these ...
... hand , the manner of classification is of the greatest importance , since the man- ner chosen to organise the material will - directly or indi- rectly - determine the quality of the final conclusions . Transformations After these ...
Seite 314
... hand , done much to enrich our knowledge of the ar- rangement of the liturgical parts of the church , while on the other hand redating some features14 to the following ( mid - Byzantine ) period . However , we can be sure that the ...
... hand , done much to enrich our knowledge of the ar- rangement of the liturgical parts of the church , while on the other hand redating some features14 to the following ( mid - Byzantine ) period . However , we can be sure that the ...
Inhalt
STELIOS LYDAKIS | 231 |
DAVID VAN ZANTEN | 259 |
DIMITRIS PHILIPPIDES | 279 |
Urheberrecht | |
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Acropolis aesthetic ancient Antiquities approach Archaeological architects architecture architrave artistic Athenian Athens beauty building cella century Christian church Classical collection columns complete composition construction continued corner course depicted Doric drawings early east east pediment entire example expression facade fact figures French frieze function German Greece Greek hand important interest Italy Korres later London marble material meaning ment metopes monument Museum nature once original painted Paris Parthe Parthenon particular pediment period Persian Photograph plate position published question reason recent reconstruction reference restoration result Revett Roman Rome ruins rule sculptures seen showing side society Source space spirit statue stone structure Stuart symbol taken temple thenon tion travellers various visited visitors walls