The Parthenon and Its Impact in Modern TimesPanayotis Tournikiotis Melissa, 1994 - 365 Seiten This volume brings together 11 original essays by scholars and writers each offering a different perspective on this cultural monument. Detailed descriptions of the sculpture and architecture are included, as well as discussions of the place of the Parthenon in the history and theory of modern architecture, depictions of the Parthenon in art through the ages, the Parthenon as appreciated by contemporary Greek society and the Parthenon in the consciousness of modern Greek poets and thinkers. |
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Seite 64
... cella was its frieze in the continuous Ionic , not Doric , form which was 160 metres long and ran along all four sides of the cella . - The hexastyle porticoes between the antae , although almost the same height as those of the outer ...
... cella was its frieze in the continuous Ionic , not Doric , form which was 160 metres long and ran along all four sides of the cella . - The hexastyle porticoes between the antae , although almost the same height as those of the outer ...
Seite 86
... cella corresponds to that of the five middle spaces of the facade ( of the seven ) . ( Indeed , since the end spaces are much smaller than those in the centre because of the overcontraction applied to them , the width of the cella ...
... cella corresponds to that of the five middle spaces of the facade ( of the seven ) . ( Indeed , since the end spaces are much smaller than those in the centre because of the overcontraction applied to them , the width of the cella ...
Seite 88
... cella . Drawing by M. Korres . D order in which they have been explained is the result of a much more wide - ranging ... cella : ' A line extrapolating either side of the cella will pass through the axis of the second column from each ...
... cella . Drawing by M. Korres . D order in which they have been explained is the result of a much more wide - ranging ... cella : ' A line extrapolating either side of the cella will pass through the axis of the second column from each ...
Inhalt
STELIOS LYDAKIS | 231 |
DAVID VAN ZANTEN | 259 |
DIMITRIS PHILIPPIDES | 279 |
Urheberrecht | |
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Acropolis Monuments Acropolis Museum aesthetic Antiquities of Athens Archaeological archi architects architrave artistic Athènes Athenian Attica Balanos beauty Beaux-Arts Berlin Bouras British Museum building C.R. Cockerell Carrey cella Christian church Classical colonnade columns composition construction Corbusier cornice crepidoma Cyriacus depicted Dinsmoor Doric temple drawings east pediment Eleftheria Elgin Marbles entablature Erechtheum Evliya Evliya Çelebi facade figures Gennadios Library German Greece Greek architecture hexastyle Ibid Ionic Klenze Korres later Le Corbusier London Meleti ment metopes metres Michaelis modern monu nineteenth century octastyle opisthodomos original Orlandos ornamentation Paccard painted Paris Parthe Parthenon frieze Parthenon sculptures pediment Penrose Pericles period peristyle Pheidias Photograph plate polychromy portico pronaos Propylaea pteroma published reconstruction restoration Roman Rome roof ruins Schinkel Semper Source Spon Stuart and Revett stylobate symbol thenon tion tou Parthenonos travellers triglyphs ture visited visitors walls