The Parthenon and Its Impact in Modern TimesPanayotis Tournikiotis Melissa, 1994 - 365 Seiten This volume brings together 11 original essays by scholars and writers each offering a different perspective on this cultural monument. Detailed descriptions of the sculpture and architecture are included, as well as discussions of the place of the Parthenon in the history and theory of modern architecture, depictions of the Parthenon in art through the ages, the Parthenon as appreciated by contemporary Greek society and the Parthenon in the consciousness of modern Greek poets and thinkers. |
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Seite 39
... Italy ( 1786-1788 ) - Goethe and his younger friend Schiller turned away from Herder towards the classicising ideal of Winckelmann ( fig . 21 ) . In the journal he kept of his trip to Italy , Goethe made the following note on the Greek ...
... Italy ( 1786-1788 ) - Goethe and his younger friend Schiller turned away from Herder towards the classicising ideal of Winckelmann ( fig . 21 ) . In the journal he kept of his trip to Italy , Goethe made the following note on the Greek ...
Seite 164
... Italy ( more familiar as Cyriacus ) visited Athens in April 1436 , 1 ascend- ing the Acropolis and admiring the Parthenon . A man of the Renaissance - but at the same time an emi- nent personality in his own right - Cyriacus did not ...
... Italy ( more familiar as Cyriacus ) visited Athens in April 1436 , 1 ascend- ing the Acropolis and admiring the Parthenon . A man of the Renaissance - but at the same time an emi- nent personality in his own right - Cyriacus did not ...
Seite 166
... Italy . In Athens itself , memories of the glorious past survived , and were linked with Christian traditions in the manu- script , dating from about 1460 , known as the ' Anonymous of Vienna ' . The Parthenon has become a church to the ...
... Italy . In Athens itself , memories of the glorious past survived , and were linked with Christian traditions in the manu- script , dating from about 1460 , known as the ' Anonymous of Vienna ' . The Parthenon has become a church to the ...
Inhalt
STELIOS LYDAKIS | 231 |
DAVID VAN ZANTEN | 259 |
DIMITRIS PHILIPPIDES | 279 |
Urheberrecht | |
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Acropolis aesthetic ancient Antiquities approach Archaeological architects architecture architrave artistic Athenian Athens beauty building cella century Christian church Classical collection columns complete composition construction continued corner course depicted Doric drawings early east east pediment entire example expression facade fact figures French frieze function German Greece Greek hand important interest Italy Korres later London marble material meaning ment metopes monument Museum nature once original painted Paris Parthe Parthenon particular pediment period Persian Photograph plate position published question reason recent reconstruction reference restoration result Revett Roman Rome ruins rule sculptures seen showing side society Source space spirit statue stone structure Stuart symbol taken temple thenon tion travellers various visited visitors walls