PART I.

OF IDEAS, THEIR ORIGIN, COMPOSITION,

CONNEXION, ABSTRACTION.

I wou'd fain ask those philosophers, who found so much of their reasonings on the distinction of substance and accident, and imagine we have clear ideas of each, whether the idea of substance be deriv'd from the impressions of sensation or reflexion? If it be convey'd to us by our senses, I ask, which of them; and after what manner? If it be perceiv'd by the eyes, it must be colour; if by the ears, a sound; if by the palate, a taste; and so of the other senses. But I believe none will assert, that substance is either a colour, or sound, or a taste. The idea of substance

must therefore be deriv'd from an impression of reflexion, if it really exist. But the impressions of reflexion resolve themselves into our passions and emotions; none of which can possibly represent a substance. We have therefore no idea of substance, distinct from that of a collection of particular qualities, nor have we any other meaning when we either talk or reason concerning it.

The idea of a substance as well as that of a mode, is nothing but a collection of simple ideas, that are united by the imagination, and have a particular name

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assigned them, by which we are able to recall, either to ourselves or others, that collection. But the difference betwixt these ideas consists in this, that the particular qualities, which form a substance, are commonly refer'd to an unknown something, in which they are supposed to inhere; or granting this fiction should not take place, are at least supposed to be closely and inseparably connected by the relations of contiguity Luboce and causation. The effect of this is, that whatever substancia new simple quality we discover to have the same connexion with the rest, we immediately comprehend it among them, even tho' it did not enter into the first conception of the substance. Thus our idea of gold may at first be a yellow colour, weight, malleableness, fusibility; but upon the discovery of its dissolubility in aqua regia, we join that to the other qualities, and suppose it to belong to the substance as much as if its idea had from the beginning made a part of the compound one. The principle of union being regarded as the chief part of the complex idea, gives entrance to whatever quality afterwards occurs, and is equally comprehended by it, as are the others, which first presented themselves.

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That this cannot take place in modes, is evident from considering their nature. The simple ideas of which modes are formed, either represent qualities, which are not united by contiguity and causation, but are dispers'd in different subjects; or if they be all united together, the uniting principle is not regarded as the foundation of the complex idea. The idea of a dance is an instance of the first kind of modes; that of beauty of the second. The reason is obvious, why such complex ideas cannot receive any new idea, without changing the name, which distinguishes the mode.

Of the idea of existence, and of external existence.

It may not be amiss, before we leave this subject, to explain the ideas of existence and of external existence; which have their difficulties, as well as the ideas of

space and time. By this means we shall be the better prepar'd for the examination of knowledge and probability, when we understand perfectly all those particular ideas, which may enter into our reasoning.

There is no impression nor idea of any kind, of which we have any consciousness or memory, that is not conceiv'd as existent; and 'tis evident, that from this consciousness the most perfect idea and assurance of being is deriv'd. From hence we may form a dilemma, the most clear and conclusive that can be imagin'd, viz. that since we never remember any idea or impression without attributing existence to it, the idea of existence must either be deriv'd from a distinct impression, conjoin'd with every perception or object of our thought, or must be the very same with the idea of the perception or object.

As this dilemma is an evident consequence of the principle, that every idea arises from a similar impres

sion, so our decision betwixt the propositions of the dilemma is no more doubtful. So far from there being any distinct impression, attending every impression and every idea, that I do not think there are any two distinct impressions, which are inseparably conjoin'd. Tho' certain sensations may at one time be united, we quickly find they admit of a separation, and may be presented apart. And thus, tho' every impression and idea we remember be consider'd as existent, the idea of existence is not deriv'd from any particular impression.

The idea of existence, then, is the very same with the idea of what we conceive to be existent. To reflect on any thing simply, and to reflect on it as existent, are nothing different from each other. That idea, when conjoin'd with the idea of any object, makes no addition to it. Whatever we conceive, we conceive to be existent. Any idea we please to form is the idea of a being; and the idea of a being is any idea we please to form.

Whoever opposes this, must necessarily point out that distinct impression, from which the idea of entity is deriv'd, and must prove, that this impression is inseparable from every perception we believe to be existent. This we may without hesitation conclude to be impossible.

Our foregoing1 reasoning concerning the distinction of ideas without any real difference will not here serve us in any stead. That kind of distinction is founded on the different resemblances, which the same simple idea may have to several different ideas. But no object can be presented resembling some object with respect to its existence, and different from others 1 Part I., Sect. 7.