row of the rubrick will fhew you more. For, look, where my abridgements come. Enter four or five Players. Y'are welcome, mafters, welcome all. I am glad to fee thee well; welcome, good friends. Oh! old friend! thy face is valanc'd, fince I faw thee laft: com'st thou to beard me in Denmark? What! my young lady and mistress? b'erlady, your ladyship is nearer heaven than when I faw you last, by the altitude of 5 a chioppine. Pray God, your voice, like a piece of uncurrent gold, be not crack'd within the ring.-Mafters, you are all welcome; we'll e'en to't like friendly faulconers, Aly at any thing we fee; we'll have a speech ftraight. Come, give us a tafte of your quality; come, a paffionate speech. 1 Play. What fpeech, my good lord? Ham. I heard thee fpeak me a fpeech once; but it was never acted or if it was, not above once; for the Play, I remember, pleas'd not the million, 'twas Caviar to the general; but it was (as I received it, and others, whofe judgment in fuch matters cried in the top of mine) an excellent Play; well digefted in the fcenes, 7 fet down with as much modefty as cunning. I remember, one faid, there was no falt in, the lines, to make the matter favoury; nor no matter in the phrase, that might indite the author of affection; but call'd it, 9 an honeft method. One fpeech in it I chiefly lov'd; 'twas Æneas's tale to Dido; and thereabout of it especially, where he speaks of Priam's flaughter. If it live in your memory, begin at this line, let me fee, let me feeMr. Pope. 5 a chioppine.] A tight-heel'd fhoe, or a flipper. 6 cried in the top of mine] i. e. whofe judgment I had the highest opinion of. 7 fet down with as much modefty] Modefty, for fimplicity. 8 that might indite the author] Indite, for convi&. 9 an honest method.] Honeft, for chaste, : The The rugged Pyrrhus, like th' Hyrcanian beaft, -It is not fo; it begins with Pyrrhus. - The rugged Pyrrhus, he, whofe fable arms, Pol. 'Fore God, my lord, well fpoken, with good accent, and good discretion. 1 Play. Anon he finds him, Striking, too short, at Greeks. His antique fword, "But as we often fee, against some storm, A A roused vengeance fets him new a-work: Out, out, thou ftrumpet Fortune! all you Gods, Break all the spokes and fellies from her wheel, Pol. This is too long. Ham. It fhall to th' barber's with your beard. Pr'ythee, fay on; he's for a jigg, or a tale of bawdry, or he fleeps. Say on, come to Hecuba. 1 Play. But who, oh! who, had seen the mobled Queen, Ham. The mobled Queen? Pol. That's good; mobled Queen, is good. With biffon rheum; a clout upon that head, the mobled Queen, -] Mobled or mabled, fignifies veiled. So Sandys, fpeaking of the Turkish women, fays, their heads and faces are MABLED in fine linen, that no more is to be feen of them than their eyes. Travels. Pol. Pol. Look, whe're he has not turn'd his colour, and has tears in's eyes. Pr'ythee, no more. Ham. 'Tis well, I'll have thee fpeak out the rest of this foon. Good my lord, will you fee the Players well beftow'd? Do ye hear, let them be well us'd; for they are the abftract, and brief chronicles of the time. After your death, you were better have a bad Epitaph, than their ill report while you liv'd. Pol. My lord, I will ufe them according to their defert. Ham. God's bodikins, man, much better. Use every man after his defert, and who fhall 'fcape whipping? use them after your own honour and dignity. The lefs they deferve, the more merit is in your bounty. Take them in. Pol. Come, Sirs. [Exit Polonius. Ham. Follow him, Friends: we'll hear a Play to morrow. Doft thou hear me, old friend, can you play the murther of Gonzago? Play. Ay, my lord. Ham. We'll ha't to morrow night. You could, for a need, study a fpeech of fome dozen or fixteen lines, which I would fet down, and infert in't? could ye not? Play. Ay, my lord. Ham. Very well. Follow that lord, and, look, you mock him not. My good friends, I'll leave you 'till night, you are welcome to Elfinoor. Rof. Good my lord. SCE ENE VII. Manet Hamlet. [Exeunt. Ham. Ay, fo, God b' w' ye: now I am alone. N "But "But in a fiction, in a dream of paffion, "Could force his foul fo to his own conceit, "That, from her working, all his visage wan'd: "Tears in his eyes, diftraction in his afpect, 2 "A broken voice, and his whole function fuiting, "With forms, to his conceit? and all for nothing? "For Hecuba? "What's Hecuba to him, or he to Hecuba, "That he should weep for her? what would he do, "Had he the motive and the cue for paffion, "That I have? he would drown the ftage with tears, "And cleave the gen❜ral ear with horrid speech; + A damn'd defeat was made. Am I a coward? 2 all his vifage WAR M'D:] This might do, did not the old Quarto lead us to a more exact and pertinent reading, which is, visage WAN'D: i. e. turn'd pale, or wan. For fo the vifage appears when the mind is thus affectioned, and not warm'd or flushed. unpregnant of my cause,] Unpregnant, for having no 3 due fenfe of. 4 A damm'd defeat was made.-] Defeat, for deftruction. |