Abbildungen der Seite
PDF
EPUB

any age, and to none of my own. I speak this, because I feel power." At his lowest estimate, he would be a second Wordsworth.

For all this self-importance, he must not be taken as a conceited youth. He was diffident and humble in manner, reverent in mind, and conscious of many failings. All he wanted was a helping hand.

On the 5th May, 1860, he took an imprudent step, which may have been the cause of his after sufferings and early death. He suddenly left Glasgow for London, bent on making a name for himself in that great city of light and leading, as many a wandering literary adventurer had done before him. He had little money, was bewildered at the hurry and bustle of the huge metropolis, and, for economy's sake, wandered about Hyde Park all night.

It was always thought that this foolish freak brought on that consumption which took hold of his hitherto healthy frame, and added his name to the long list of those who have died young, the gods having loved them.

Amongst the few friends he made in London was Mr. Milnes, afterwards Lord Houghton, who interested himseif in the young poet, treated him with great kindness, and endeavoured to find a publisher for his verse, but David often wished he were back in Glasgow, for waiting was weary work.

Robert Buchanan, one of his dearest friends, lent his aid, but his health continued to fail, and at last he was sent back to his old home by the Luggie, where his parents received him with every tenderness. It was declared that if he were to live it must be in a warmer climate, and Natal, Italy, or Jamaica was spoken of, but, through want of funds, these projects fell through.

Sydney Dobell, and others, had him sent to Richmond,

and then to Torquay, but it all ended in his return to his mother's care.

In April, 1861, he knew he was dying, and yet his poem had not appeared. To die unknown was a deep grief to him. In asking Mr. Buchanan to help him, he says:"Freeland has possession of the MSS., and with what ignoble trembling I anticipate its appearance! How I shall bless you should you succeed."

Mr. Dobell's influence was untiring, and on 2nd December, 1861, a proof was sent out to the little cottage. What a moment that was to the poet when he took the paper in his hands! At last the dream of a lifetime was about to be realised, and that at the latest hour. On the following day he passed away. "God has love, and I have faith," were almost his last words. Truly had he called himself, "A piece of childhood thrown away."

He was buried in the Auld Aisle, where he had often wandered, and which is also the subject of his song, and, on the 29th July, 1865, a plain obelisk was erected to his memory, subscribed for by his admirers. The inscription is the work of Lord Houghton :

:

This Monument

OF

AFFECTION, ADMIRATION, AND REGRET,

IS ERECTED TO

DAVID GRAY,

The Poet of Merkland,

BY FRIENDS FROM FAR AND NEAR,

DESIROUS THAT HIS GRAVE SHOULD BE REMEMBERED

AMID THE SCENES OF HIS RARE GENIUS

AND EARLY DEATH,

AND BY THE LUGGIE, NOW NUMBERED WITH THE STREAMS

ILLUSTRIOUS IN SCOTTISH SONG.

BORN 29TH JANUARY, 1838; DIED 3RD DECEMBER, 1861

But, like Burns, he left his own epitaph, and who can say it

is not a beautiful one?

Below lies one whose name was traced in sand,

He died, not knowing what it was to live;

Died, while the first sweet consciousness of manhood
And maiden thought electrified his soul,
Faint beatings in the calyx of the rose.
Bewildered reader! pass without a sigh,
In a proud sorrow! There is life with God,
In other kingdom of a sweeter air;
In Eden every flower is blown. Amen.

27th September, 1861.

DAVID GRAY.

Thus lived and died one who left a few words only behind him; but these have been described as "the truest, purest, tenderest lyrical note that has floated to English ears this half century."

Space will permit only of a few remarks upon them.

The "Luggie" opens with the wish of the writer that his thought and verse may run as smoothly as his beloved river :

:

That impulse which all beauty gives the soul,
Is languaged as I sing. For fairer stream
Rolled never golden sand into the sea,
Made sweeter music than the Luggie, gloom'd
By glens whose melody mingles with her own.
The uttered name my inmost being thrills,
A word beyond a charm; and if this lay
Could smoothly flow along and wind to the end
In natural manner, as the Luggie winds

Her tortuous waters, then the world would list
In sweet enthralment, swallowed up and lost.

It would be too much to say that the world has listened to him, but it is no exaggeration to state that those who have heard have appreciated. He then proceeds to describe scenery and circumstances pertaining to the

seasons of the year in an inimitable manner. The winter scene of curling every one who knows the game will admit is realistic enough :

Now underneath the ice the Luggie growls,
And to the polished smoothness curlers come
Rudely ambitious. Then for happy hours

The clinking stones are slid from wary hands,
And Barleycorn, best wine for surly airs,
Bites i' the mouth, and ancient jokes are cracked,
And, oh, the journey homeward, when the sun,
Low-sounding to the west, in ruddy glow
Sinks large, and all the amber-skirted clouds,
His flaming retinue, with dark'ning glow,
Diverge! The broom is brandished as the sign
Of conquest, and impetuously they boast

Of how this shot was played-with what a bend
Peculiar the perfection of all art--

That stone came rolling grandly to the Tee

With victory crown'd, and flinging wide the rest
In lordly crash, etc.

The attachment of youthful, boyish friendship is beautifully described :

We sat together on one seat,

Came home together thro' the lanes, and knew
The dunnock's nest together in the hedge,
With smooth blue eggs, in cosy brightness warm;
And as two youngling kine on cold spring nights

Lie close together on the bleak hill side
For mutual heat, so when a trouble came

We crept to one another, growing still

True friends in interchange of heart and soul.

These are but glimpses into the beauty of the poet's mind, and at the close he asks you if you note any failings in his work, to

Forgive youth's vagaries, want of skill,

And blind devotional passion for my home.

This tribute to the memory of David Gray would be incomplete without giving the reader a copy of a sonnet which is one of a number he wrote, entitled, "In the shadows." His description of a wet October day will indicate how keenly he observed nature:

October's gold is dim-the forests rot,

The weary rain falls ceaseless, while the day
Is wrapped in damp. In mire of village way
The hedge-row leaves are stamp'd, and, all forgot,
The broodless nest sits visible in the thorn.
Autumn, among her drooping marigolds,
Weeps all her garnered sheaves, and empty folds,
And dripping orchards—plundered and forlorn.
The season is a dead one, and I die!

No more, no more for me the spring shall make

A resurrection in the earth and take

The death from out her heart. O God, I die!
The cold throat mist creeps nearer, till I breathe
Corruption. Drop stark night upon my death!

Walter Watson.

ANOTHER minor Scottish poet connected with Kirkintilloch was Walter Watson, the author of the well-known, proverbial lines:

We've aye been provided for, and sae will we yet.

Walter Watson was born in the village of Chryston, parish of Cadder, on 29th March, 1780, of humble, hard-working, weaving parents. In later years he described the old

folks :

My parents were folk that gaed aye to the kirk,

Keepit in wi' their neibors about,

Were carefu' and eident frae mornin' till mirk,
An' I ne'er kent their credit rin out.

X

« ZurückWeiter »