Robert Browning

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Dodd, Mead, 1905 - 309 Seiten
Browning's poetry is seen by the author as one of the most potent of the influences which in the nineteenth century helped to break down the shallow and mischievous distinction between the "sacred" and the "secular" and to set in its place the profounder division between man enslaved by apathy, routine and mechanical morality, and man lifted by the law of love into a service which is perfect freedom, into an approximation to God which is only the fullest realization of humanity. First published in 1905, this was a pioneering biographical and critical study of Browning which was one of the first to assess what were regarded as the difficulties of Browning's work and to elucidate his realism, joy, and interpretation of life. This title is cited and recommended by the Catalogue of the Lamont Library, Harvard College and the Cambridge Bibliography of English Literature.
 

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Seite 109 - Here - here's his place, where meteors shoot, clouds form, Lightnings are loosened, Stars come and go! Let joy break with the storm, Peace let the dew send! Lofty designs must close in like effects: Loftily lying, Leave him — still loftier than the world suspects, Living and dying.
Seite 135 - Oh, the little more, and how much it is! And the little less, and what worlds away! How a sound shall quicken content to bliss, Or a breath suspend the blood's best play, And life be a proof of this!
Seite 134 - A moment after, and hands unseen Were hanging the night around us fast; But we knew that a bar was broken between Life and life: we were mixed at last In spite of the mortal screen.
Seite 97 - He who works in fresco, steals a hair-brush, Curbs the liberal hand, subservient proudly, Cramps his spirit, crowds its all in little, Makes a strange art of an art familiar, Fills his lady's missal-marge with flowerets. He who blows thro' bronze, may breathe thro' silver, Fitly serenade a slumbrous princess.
Seite 104 - So you creak it, and I want the heart to scold. Dear dead women, with such hair, too — what's become of all the gold Used to hang and brush their bosoms? I feel chilly and grown old.
Seite 123 - The very God! think, Abib; dost thou think? So, the All-Great, were the All-Loving too So, through the thunder comes a human voice Saying, 'O heart I made, a heart beats here! Face, my hands fashioned, see it in myself! Thou hast no power nor mayst conceive of mine, But love I gave thee, with myself to love, And thou must love me who have died for thee!
Seite 133 - In one year they sent a million fighters forth South and North, And they built their gods a brazen pillar high As the sky, Yet reserved a thousand chariots in full force — Gold, of course. Oh heart ! oh blood that freezes, blood that burns ! Earth's returns For whole centuries of folly, noise and sin ! Shut them in, With their triumphs and their glories and the rest ! Love is best.
Seite 263 - But here is the finger of God, a flash of the will that can, Existent behind all laws, that made them and, lo, they are! And I know not if, save in this, such gift be allowed to man, That out of three sounds he frame, not a fourth sound, but a star.
Seite 100 - Is, whether you're — not grateful — but more pleased. Well, let me think so. And you smile indeed! This hour has been an hour! Another smile? If you would sit thus by me every night I should work better, do you comprehend? I mean that I should earn more, give you more.
Seite 41 - He is with her ; and they know that I know Where they are, what they do : they believe my tears flow While they laugh, laugh at me, at me fled to the drear Empty church, to pray God in, for them ! — I am here.

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