Of Muscles and Men: Essays on the Sword and Sandal FilmMichael G. Cornelius McFarland, 29.09.2011 - 218 Seiten Few movie genres have highlighted the male body more effectively than the "sword-and-sandal" film, where the rippling torso and the bulging muscle are displayed for all to appreciate. Carrying his phallic sword and dressed in traditional garb calculated to bring attention to his magnificent physique, the sword-and-sandal hero is capable of toppling great nations, rescuing heroines, defeating monsters, and generally saving the day. Each of these essays examines the issues of masculinity and utility addressed in the sword-and-sandal genre. The contributors offer insights on a film form which showcases its male protagonists as heroic, violent, fleshy, and, in the end, extremely useful. |
Inhalt
1 | |
Hercules Politics and Movies | 15 |
Hero Trouble | 28 |
To do or die manfully | 40 |
From Maciste to Maximus and Company | 58 |
Reverent and Irreverent Violence | 75 |
Civilization ancient and wicked | 87 |
Homers Lies Brad Pitts Thighs | 104 |
An Enduring Logic | 124 |
By Jupiters Cock | 144 |
Beefy Guys and Brawny Dolls | 154 |
Developments in Peplum Filmmaking | 175 |
Hercules Diminished? | 187 |
About the Contributors | 203 |
207 | |
Andere Ausgaben - Alle anzeigen
Of Muscles and Men: Essays on the Sword and Sandal Film Michael G. Cornelius Keine Leseprobe verfügbar - 2011 |
Häufige Begriffe und Wortgruppen
Achilles Agamemnon American ancient animation audience battle Blood and Sand bodybuilding Briseis Cabiria character characterization Cinema classical clone culture Commodus Conan the Barbarian contemporary depicted desire Disney Disney’s display epic hero Ercole fantasy fascist feminized fight figure film’s filmmaking gay clone gaze gender Gladiator Greek He-Man Hector Herculean Hercules Unchained hero’s heroic heteronormative heteroperformative heterosexual Hollywood Homer homosexual ideological Iliad Italian peplum Italy Jason King Leonidas Maciste male body male form masculinity Maximus Medea Menelaus moral muscles muscular narrative Odysseus ofthe one’s Paris parody Pasolini pepla peplum films peplum genre Petersen phallus physical physique plot political popular representation reverence role Roman sandal films sandal genre scene Schuyler sequence sexual shot social Spartacus Spartans spectacle Stooges Meet Hercules story strength strongman suggests sword and sandal sword and sorcery television Three Stooges Three Stooges Meet traditional Trojan Troy’s University video games viewer violence visual warrior women