They kneel upon the sloping sand, As bends the human knee, A beautiful and tireless band, The Priesthood of the Sea!
They pour the glittering treasures out Which in the deep have birth, And chant their awful hymns about The watching hills of earth.
The green earth sends its incense up From every mountain shrine, From every flower and dewy cup That greeteth the sunshine.
The mists are lifted from the rills Like the white wing of prayer, They lean above the ancient hills As doing homage there.
The forest tops are lowly cast O'er breezy hill and glen, As if a prayerful spirit pass'd On Nature as on men.
The clouds weep o'er the fallen world, E'en as repentant love;
Ere to the blessed breeze unfurl'd, They fade in light above.
The sky is as a temple's arch, The blue and wavy air Is glorious with the spirit-march Of messengers of prayer.
The gentle moon, the kindling sun,
The many stars are given,
As shrines to burn earth's incense onThe altar-fires of Heaven!
The village of Haverhill, on the Merrimack, called by the Indians Pentucket, was for nearly seventy years a frontier town, and during thirty years endured all the horrors of savage warfare. In the year 1708, a combined body of French and Indians, under the command of De Challions, and Hertel de Rouville, the infamous and bloody sacker of Deerfield, made an attack upon the village, which at that time contained only thirty houses. Sixteen of the villagers were massacred, and a still larger number made prisoners. About thirty of the enemy also fell, and among them Hertel de Rouville. The minister of the place, Benjamin Rolfe, was killed by a shot through his own door.
How sweetly on the wood-girt town The mellow light of sunset shone!
Each small bright lake, whose waters still Mirror the forest and the hill,
Reflected from its waveless breast
The beauty of a cloudless west, Glorious as if a glimpse were given Within the western gates of Heaven, Left, by the spirit of the star
Of sunset's holy hour, ajar!
Beside the river's tranquil flood
The dark and low-wall'd dwellings stood, Where many a rood of open land Stretch'd up and down on either hand, With corn-leaves waving freshly green The thick and blacken'd stumps between; Behind, unbroken, deep and dread, The wild, untravell'd forest spread, Back to those mountains, white and cold, Of which the Indian trapper told, Upon whose summits never yet Was mortal foot in safety set.
Quiet and calm, without a fear Of danger darkly lurking near, The weary labourer left his plough, The milkmaid caroll'd by her cow;
From cottage door and household hearth Rose songs of praise or tones of mirth. At length the murmur died away, And silence on that village lay: So slept Pompeii, tower and hall, Ere the quick earthquake swallow'd all, Undreaming of the fiery fate
Which made its dwellings desolate!
Hours pass'd away. By moonlight sped The Merrimack along his bed. Bathed in the pallid lustre stood Dark cottage-wall, and rock, and wood, Silent, beneath that tranquil beam, As the hush'd grouping of a dream. Yet on the still air crept a sound- No bark of fox, no rabbit's bound, No stir of wings, nor waters flowing, Nor leaves in midnight breezes blowing.
Was that the tread of many feet, Which downward from the hillside beat? What forms were those which darkly stood Just on the margin of the wood?
Charr'd tree-stumps in the moonlight dim, Or paling rude, or leafless limb?
No through the trees fierce eyeballs glow'd, Dark human forms in moonshine show'd, Wild from their native wilderness, With painted limbs and battle-dress!
A yell, the dead might wake to hear, Swell'd on the night-air far and clear: Then smote the Indian tomahawk On crashing door and shattering lock; Then rang the rifle-shot; and then The shrill death-scream of stricken men; Sunk the red axe in woman's brain, And childhood's cry arose in vain;
Bursting through roof and window came, Red, fast and fierce, the kindled flame; And blended fire and moonlight glared Over dead corse and weapons bared.
The morning sun look'd brightly through The river willows, wet with dew. No sound of combat fill'd the air, No shout was heard, nor gunshot there : Yet still the thick and sullen smoke From smouldering ruins slowly broke; And on the greensward many a stain, And, here and there, the mangled slain, Told how that midnight bolt had sped, Pentucket, on thy fated head!
Even now the villager can tell Where Rolfe beside his hearthstone fell; Still show the door of wasting oak, Through which the fatal death-shot broke, And point the curious stranger where De Rouville's corse lay grim and bare; Whose hideous head, in death still fear'd, Bore not a trace of hair or beard; And still, within the churchyard ground, Heaves darkly up the ancient mound, Beneath whose grass-grown surface lies The victims of that sacrifice.
In the tempest of life, when the wave and the gale Are around and above, if thy footing should fail, If thine eye should grow dim, and thy caution depart, "Look aloft!" and be firm, and be fearless of heart. If the friend who embraced in prosperity's glow, With a smile for each joy and a tear for each wo,
Should betray thee when sorrows like clouds are
"Look aloft" to the friendship which never shall
Should the visions which hope spreads in light to thine eye,
Like the tints of the rainbow, but brighten to fly, Then turn, and through tears of repentant regret, "Look aloft" to the Sun that is never to set.
Should they who are dearest, the son of thy heart, The wife of thy bosom in sorrow depart, "Look aloft" from the darkness and dust of the tomb, To that soil where affection is ever in bloom.
And oh! when death comes in his terrors, to cast His fears on the future, his pall on the past, In that moment of darkness, with hope in thy heart And a smile in thine eye, “look aloft” and depart.
ON THE DEATH OF A FAVOURITE BIRD.
ALAS! Sweet cousin, how can I,
In harsh, discordant rhyme, rehearse His sweet, sweet song, whose melody Had charms beyond the reach of verse?
Ah! I should need his tuneful art,
His tone with more than music rife,
In fitting numbers to impart
The tale of his harmonious life.
And yet that tale how shortly told,
One feast of flowers, one ceaseless strain;
At morn to plume, at eve to fold
His wings, to feed and sleep again.
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