The Legend of Good Women: Context and ReceptionThe essays in this volume explore the context and reception of Chaucer's neglected The Legend of Good Women from a variety of late medieval cultural perspectives, verbal, political, and social, expanding our understanding of the web of poetic and cultural conventions in which the Legend was created and received. Topics addressed include the manuscript and print history of the poem (explored through performance theory, and in the context of erotic courtly games played by the aristocracy); the politics of Philippa of Lancaster's role in transmitting the flower and leaf topos from French literature into English; the connections between love and polity in the Prologue; the influence of stories of Amazons, Thebes, and Troy; and the ludic dimensions of the Legend. CAROLYN P. COLLETTE is Professor of English Language and Literature at Mount Holyoke College. Contributors: WILLIAM A. QUINN, JOYCE COLEMAN, ROBERT R. EDWARDS, NANCY BRADLEY WARREN, BETSY MCCORMICK, SIMON MEECHAM-JONES, JAMIE C. FUMO, NICOLA F. MCDONALD |
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Inhalt
MED The Middle English Dictionary | 8 |
The Flower the Leaf and Philippa of Lancaster | 33 |
O S original series | 35 |
Chaucer Cupid and Loyal Lovers | 59 |
The Legend of Good Women | 83 |
Debating the Legends Women | 105 |
the Public Virtue of | 132 |
Palinodic Exchange in | 157 |
Games Medieval Women Play | 176 |
199 | |
Häufige Begriffe und Wortgruppen
Ages Alceste Anne apparently argues audience authority ballade beginning Cambridge Canterbury century Chaucer Chaucer's Legend Chaucerian Christian Classical consider context court courtly critical cultural Cupid debate demandes demonstrates Deschamps desire discussion edition England English essay ethical example experience fact female figure final Flower follow France French Gaunt History important intention interest interpretation Italy John kind king Knight's Tale ladies late later Leaf Legend lines literary Literature London manuscript marriage meaning medieval memory Middle misogyny moral narrative narrator nature notes offers olde original Oxford performance Philippa play poem poetic poetry political present Prologue queen question reader reading recent reference responsibility Retraction revision rhetorical Richard role royal seems serve sexual social sources stories structure Studies suggests Tale textual theory tion tradition translation Troilus virtue wife woman Women writing